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A Pictorial: The Masters of Akrotiri

Standing and peering out from here, I could easily see why people the world over flock to this destination. Far below me lay what appeared to be a vast, lustrous blue Mediterranean inlet. In fact, it is a massive, ancient water-filled caldera — the result of multiple past volcanic eruptions. This is what makes Fira, Greece’s sunny, bustling Santorini tourist town, a magnet for Europe’s honeymooners and vacationing couples. Behind me I could hear throngs of them walking the strand that hugs the great caldera’s high ledge. They are here to shop the countless pricey boutiques that line the strand — jewelry, clothing, souvenirs, everything money can buy. Some of them are wearing the clothes they purchased in these shops just yesterday. Many of them, however, are either unaware or uninterested in arguably the most valuable asset this popular resort island has to offer: its past.

Just a short walking distance from where I stood, one of the world’s most prolific collections of ancient Aegean artifacts are displayed. Built in the early 70’s on the site of the earthquake-destroyed Ypapanti Church, the Museum of Prehistoric Thera stands almost unnoticed within a well-appointed gated space. Though almost lost among the commercial bustle that surrounds it, here is housed a time capsule of human habitation and life that flourished as much as over 5,000 years ago.

And even before.

One exhibit near the museum entrance features fossilized flora recorded in the walls of the ancient caldera, echoing a 60,000-year-old ecosystem with a Mediterranean climate not unlike today’s climate on Santorini (known anciently as Thera). Beyond this, the spaces reveal a rich Late Neolithic and Bronze Age history of human occupation, with the most prolific exhibits showcasing the great 17th century BC florescence of the remarkable Minoan civilization that dominated the island at that time. The urban settlement of Akrotiri, the archaeological remains of which Santorini is best known and from which most of the artifacts exhibited in the museum were excavated, represents one of archaeology’s most spectacular discoveries, second only to Italy’s Pompeii and Herculaneum for the wealth and preservation of the material culture ancient people have left behind……….

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View of the caldera from modern day Fira on Santorini.

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The Museum of Prehistoric Thera

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A view of the interior of the Museum of Prehistoric Thera

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Fossilized leaves of the olive tree from the walls of the caldera, dated to 60,000 BP.

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The Wonder of Akrotiri

For the people who went about their routine and peaceful daily lives in the island city of Akrotiri between 1609 and 1560 BCE, signs of the nearby volcano’s coming fury must have been noticeable for days. Earth tremors and tell-tale vapor-like plumes at its summit sounded the alarm, giving them time to quickly gather their most precious and necessary belongings and family members and make their way to the boats. As a maritime society where fishing, an aquatic industry and seagoing trade defined their lives, the technology and resources for evacuation were probably at hand. 

Archaeologists can paint such a picture of a society prepared to escape the loss of life characteristic of such a disaster, as excavations of the city’s remains yielded little or no skeletal remains which would evidence a population caught and perished in the great cataclysm that was the eruption of the Thera volcano — one of the largest volcanic events of human history. It is said to have ejected up to four times as much material as the famous eruption of Krakatoa in 1883, destroying all indigenous life on the island. Its effect was experienced across the globe, its plume and volcanic lightning possibly described in the Egyptian Tempest Stele, and the Bamboo Annals of ancient China reporting rare yellow skies and summer frost during the Shang dynasty — clear signs of a volcanic winter

Though largely abandoned by the time Thera released its first explosive bellow, Akrotiri’s pre-eruption structural face was transformed in the fiery onslaught. Yet, like ancient Rome’s Pompeii and Herculaneum below the pyroclastic expulsion of Mount Vesuvius in 79 AD, Thera’s ejecta and ash produced a remarkable result — an ancient city much destroyed yet miraculously well enough preserved to create a stunningly detailed time capsule of life and advanced human achievement more than 3,500 years old. 

Extensive excavations beginning in 1967 by archaeologist Spyridon Marinatos and his team uncovered a remarkably advanced urban settlement, with multi-storied buildings, paved streets, evidence of fine furniture, various religious and domestic vessels, magnificent fresco wall paintings, an elaborate and advanced drainage system, and much more. Like Pompeii and Herculaneum, Akrotiri proved to be one of the most spectacular archaeological sites ever uncovered. Of all the objects and features of the ancient city discovered, however, no other Bronze Age site in the world could compare to Akrotiri in terms of the early advanced works of distinctive fresco painting produced by its master artists — the most prolific collection of such paintings preceding the great fresco works of the masters of ancient Rome and Renaissance Italy much later. 

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Aerial view of the central area of the Akrotiri excavation site (model as exhibited within the Museum of Prehistoric Thera).

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Akrotiri: “Triangle Square”, shows the height at which the structures at Akrotiri were preserved from the volcanic eruption. See below for additional examples of site preservation.

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“Millhouse Square”

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“Pithoi Room”

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“Pithoi Room”

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“Pithoi Room”

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Plaster cast of a carved wooden table.

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Plaster cast of a portion of a chair.

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Basket impression

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Above and below: Amazingly well preserved furnishings.

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The Paintings of Akrotiri

The excavations at Akrotiri have informed a picture of public and religiously significant buildings and other structures adorned with masterfully created fresco paintings that reflected, for this time in ancient history, a unique, avant-garde style. They have marked the Minoans as a standout in this way among ancient populations, particularly during the 17th century BC. Moreover, of all the Minoan settlements that have been excavated, Akrotiri has yielded the best preserved paintings recovered in situ from the walls of its structures……….

Xeste 3

Located south within the excavation area, a large structure (the second largest excavated at Akrotiri) was found to contain the largest assemblage of wall paintings, and is distinct from all other structures in that it housed a lustral basin. In Minoan palaces such as that found at Knossos on Crete, lustral basins were sunken rooms that are thought to have been used either for ritual purification, or as bathrooms. This multi-storey building featured stone benches, a grand staircase, and 15 rooms. The rooms were connected with multiple pier-and-door partitions/doorways that permitted flexibility and adaptability to be interconnected or shut off when necessary. Archaeologists believe, based on the findings, that the building was used for public ceremonies and ritual activity. The rooms as well as the grand staircase were adorned with wall paintings.

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Artist rendering of Xeste 3, as presented at the Museum of Prehistoric Thera

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Above and below: Excavated remains of Xeste 3.

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Above and below: Xeste 3, Room 3, 1st Floor: Females gathering crocus flowers, then offering their stigmas to the Godess of Nature through the intervention of a monkey.

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Above and below: Xeste 3, Room 3, Ground Floor: Painted above the Lustral Basin, three females perform a ritual involving crocus plants on the Theran landscape.

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Above and below: Xeste 3, Room 3 Ground Floor: Male figures performing a rite of passage ceremony.

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Xeste 3: Wall painting with relief ornaments and painted rosettes: From a room on the second story

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The West House

Located in the west central part of the excavation site, the structure designated as the “West House” by archaeologists contained some of the best known, best preserved wall paintings. The house was long and relatively narrow, consisting of a ground floor, first floor, second floor and main staircase that gave access to each storey. The ground floor featured storerooms, workshops, a kitchen and a mill-installation. The first floor had storage rooms, a lavatory, two rooms featuring magnificent mural paintings, and a large chamber dedicated to weaving. The upper floor also contained rooms. The notable wall paintings found in the West House include two frescoes of fishermen, or youth fishers, a fresco of a female holding a vessel, interpreted as a priestess, and a magnificent miniature frieze depicting what is interpreted to be a flotilla, illustrating a major overseas voyage of a fleet visiting several harbors and towns. 

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Artist’s conception of the West House, as exhibited at the Museum of Prehistoric Thera.

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Above and below: Excavated remains of the West House.

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Above and below: Fishers as displayed in West House.

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A partial frieze, a portion of which may be illustrating a naval battle.

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Above and below: Paintings depicting the chambers of a ship.

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Above and below: Frieze illustrating the adventures and explorations of early Aegean seafarers.

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The House of the Ladies

Located in the northwest section of the site, the “House of the Ladies” is a large, multi-storey building thought to be the house of an upper class family. It was named after the wall fresco of the ladies and papyrus plants that decorated the interior of one of the rooms. The structure is thought to have once been a three-storey house with as many as 10 rooms on each floor, but extensive destruction of the north end of the building has created uncertainty.

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Above and below: Excavated remains of the House of the Ladies

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Above and below: The wall paintings from the House of the Ladies.

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Sector Beta

Situated in the south central area of the site, two attached buildings featured three of the most notable frescoes of Akrotiri.  The first floor of the western building was adorned with two wall paintings, the Antelopes and the Boxing Boys. The eastern building featured the large, avant-garde composition called “Fresco of the Monkeys”, showing monkeys climbing over a rocky landscape at the side of a river.

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The wall paintings of the monkeys as they would have related in situ in sector B structure room (As displayed in the Museum of Prehistoric Thera).

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Complex Delta

Occupying a central position in the city is the Complex Delta, which actually comprises four structures or buildings, each crowned above the entrance with double horns of consecration. Mud flow from the eruption inundated the rooms, yet preserved in situ one of Akrotiri’s most famous artworks, the Spring Fresco, in one of the rooms. Also preserved were imprints of wooden vessels and furniture, seen today as plaster casts. Other finds included tablets of the Linear A script and numerous examples of imported pottery, precious stone and bronze objects.

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Above and below: Excavated remains of Complex Delta.

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Above: Spring Fresco detail. Below: Spring Fresco in its entirety as exhibited at the National Archaeology Museum of Athens

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Creating the Art

Much of the style and iconography of the Theran wall paintings were clearly derived from those seen on Crete, where the greater part of Minoan civilization flourished. This included the common tripartite organization of the wall compositions, females represented in white flesh and males in brown, and themes including natural world elements and ritualistic, productive human activity. Although the artists drew from centuries-old Cycladic tradition in art creation, most of the Theran artists trended toward the avant-garde in their representations, a characteristic that set them apart from other artistic traditions and achievements of the time. 

As to the process of creating the paintings, the artists applied a mixed technique of buon fresco, applying pigments to wet plaster, and fresco secco, applying pigments to dried plaster. 

The paintings were created in four successive phases:

  1. Wall surfaces were first smoothed with a layer of mixed mortar and straw. Over this, they applied a layer of lime plaster (stucco) about  1 to 2.5 cm thick, then a layer or two of fine stucco.
  2. While the stucco was still wet, a taught, fine string was stretched/pressed into the stucco to create three horizontal physical divides in the wall composition. Wall paintings on Thera were typically divided into three zones in this way.
  3. The artist would render a sketching of the subject(s) by incising or light washing the lies into the stucco. This guided the actual painting onto the still-wet stucco/plaster, where the colors were absorbed into the plaster itself. Smaller details were then added often after the stucco had dried. 
  4. The palette of colors used were largely the same as that used by the Minoans on Crete: the background white of the stucco, earth pigments for black, red and yellow from hematite and yellow ochre, and Egyptian blue, imported from Egypt, and/or glaucophane. The painting was then enriched with different tones, including colors such as rose, pale pink, reddish brown, and dark brown. To achieve these variations, the artist combined pigments or mixed them in lime water. 

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Pithos containing lime-plaster. Above and below artifacts excavated at Akrotiri.

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Semiglobular cup containing red pigment

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Pigments and lime

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Paintings and painting techniques were not exclusive to walls. Here, for example, is a Minoan offering table excavated at Akrotiri, showing use of painting to illustrate ceramic ware with scenes and subjects from their natural surroundings. Ceramic ware pieces below indicate the same trend or style of painting throughout the culture at Akrotiri.

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A Theran Diaspora?

Though the distinctive Minoan style of wall painting can be said to be a regional phenomenon (e.g., Thera and Crete), in recent years archaeologists have found evidence of its presence in other parts of the Mediterranean. Were the art masters of Thera known and in employment demand among the palace, temple, and wealthy elites throughout the Bronze Age Old World trade network? Or did the artist refugees of the great Thera eruption find their way to other parts of the known world to ply their trade and perhaps even to settle?

The Canaanite site of Tel Kabri in present-day northwest Israel, for example, could hold clues to answers. The author spoke with the George Washington University’s Dr. Eric H. Cline in Washington, D.C. in May of 2011. Cline had already been co-director of the excavations at Kabri for years at that point.*

“Kabri, which is a Canaanite palace,” said Cline, “has Minoan wall and floor paintings in it…… We already knew about this site because Kabri had been excavated before by [Aharon] Kempinski and [Wolf-Dietrich] Niemeier from 1986 to 1993, and they found a painted floor and about 2,000 fragments of painted plaster.”

There are several things that strongly suggest the paintings were Minoan or Cycladic in style, according to Cline.

“One is this whole technique of painting on the plaster wall while it is still wet,” continues Cline. “That is an Aegean technique. In the Near East, they more often painted after the plaster was dry. Second, there is a technique of using strings to help in the painting process. For example, the Minoans took a string and just tightened it so that it contacted the wet plaster and created a perfectly straight line. We have plaster at Kabri that shows that. The other thing they did was take string and dip it in, for example, red paint, and tighten it quickly against the plaster. The red paint thus makes a perfectly straight line. That is how the floor at Kabri was created. That is a Minoan technique.”

Moreover, the painted subject matter appears to match the subject elements typically depicted in wall paintings such as those found at Akrotiri on Thera and Knossos on Crete, says Cline, such as certain plant and flower types, the ships, and architecture. 

Were they works produced by Theran artisans who were displaced by the great Theran eruption? Possibly, says Cline, But he emphasizes that this is purely speculative. 

Were they evidence of new, permanent Minoan settlers at Kabri? Possibly, says Cline. But likely not for long. Cline summarizes his view on this question:

“There is no evidence so far that Minoans, or any other Aegean people, such as those in the Cyclades or mainland Greece, migrated to and settled at Kabri as a group. We don’t have enough Minoan pottery to support that. I suspect that, yes, the eruption at Santorini may have caused a migration of people from the island, including artisans who may have painted at Akrotiri or Knossos and were in need of employment, staying at Kabri temporarily. Certainly the paintings at Kabri look an awful lot like the ones on Santorini [ancient Thera].  So it may have been a refugee situation, but that would be mere speculation. The one thing we can support right now is that, if there was a group of Aegean people at Kabri, they were only living there temporarily.”

At least three other places or excavation sites in the eastern Mediterranean have evidenced painting like that found at Akrotiri. One is Tel Dab’a in Egypt, another in Turkey at Alalakh, and  finally at Qatna in Syria, currently being excavated by a German/Italian/Syrian team. 

Married to the Sea

As I found myself hiking along the edge of Santorini’s great caldera and gazing out and down at ocean water where, anciently in some places dry land existed, I could not help but think about the ancient landscape, and the people who once thrived here over 3600 years ago. 

Though the written records of Akrotiri — as they were created on clay tablets in Linear A, a yet undeciphered script — have offered few clues to this ancient society, the artifacts, structures, and paintings revealed by the excavations have provided a rare window on the lives of this ancient people: We know they were advanced in the sense that they lived in multistoried buildings with sophisticated drainage and water distribution systems, indoor bathrooms, lustral basins for ritual practice, and apartments and rooms designed for flexible and adaptable use. Though they practiced agriculture, they were most of all a maritime people, whose economy flourished on extensive trade with other civilizations in and around the Mediterranean, such as Minoan Crete, Mainland Greece, Egypt, Cyprus, and the Levant. Pottery imports and other artifacts, as well as their wall paintings depicting ships, testify to this. This therefore was a people who were enriched through trade. Its position on an island that occupied a strategic position between Cyprus and the Levant to the east, Crete and Egypt to its south, and mainland Greece to its north, made sure of that. Its people wore fine clothing. Artifacts and structures evidenced a well-developed textile industry. The beautifully-clad women appeared to have been revered and, indeed, occupied an important and even elevated position in its culture and religious practices, even in the form of deities. Their culture and way of life was deeply defined by their religion. In addition, they loved and esteemed their natural environment, as clearly demonstrated by their art. Above all, the masterful paintings have given the world an almost intimate and stylistic window on the minds of the Akrotirian inhabitants. 

Walking among the remains of Akrotiri, I marveled at how the 3,600-year-old shroud of its volcanic ash and debris was painstakingly removed many years ago by teams of archaeologists and their volunteers. Today the city stands silent and empty, at least the small portion that has been thus far revealed — a shadow of a once bustling community. Only the mind’s eye can now fill these streets with life. But subtle clues in its remains tell us they were a people likely much like us. 

Perhaps more than we might imagine. 

 

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Tutankhamun, Nefertiti, and the Lost Tomb

Author and Egyptologist Nicolas Reeves presents his view that the tomb of Tutankhamun was, in fact, originally intended for Nefertiti, and that part of the tomb of the great queen still lies hidden behind the famous Tut burial space . . .

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100 Years of Knowing Tut

Scholars present their latest findings and views in the ongoing discovery of ancient Egypt’s famous boy king . . .

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Preserving the Past for Our Future: The Carter House and the Tomb of Tutankhamun

Luxor, Egypt —  Before Howard Carter and his team of Egyptian workers made one of the greatest discoveries of all time on November 4th, 1922, Carter lived in a dig house atop a hill, surrounded by desert, only a short donkey ride away from the Valley of the Kings. The home’s construction was funded by his fellow archaeologist and photographer friend and financier Lord Carnarvon. Carter lived there from 1910-1939. Later, in the 1950’s it became a rest house for antiquities inspectors and in 2009 it was converted into a house museum to honor Howard Carter’s contributions to the field of archaeology.

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The Restored House

Portrait of Howard Carter. By William Carter. Public Domain.

The mudbrick of the home was in danger of collapse due to insufficient drainage. That pressing problem has since been corrected with a new drainage system to address rising water levels. A complete and thoughtful restoration of the home’s simple yet beautiful interior spaces was unveiled as well. The home is an elegant and peaceful space surrounded by lush greenery effectively transporting you back to Carter’s time. Director Nicholas Warner and Egyptologist Tom Hardwick worked with a team of restorers to match the colors of the walls and interior furnishings faithful to the period in which Carter lived in the house. The seemingly personal items displayed behind glass were historically accurate objects that an archaeologist would have used on a daily basis working in Egypt in the 1920’s. There are also replicas of Carter’s masterfully painted watercolor images throughout the home. (Carter’s father was a well-respected painter of landscapes and hunting scenes, and he followed in his father’s footsteps before becoming an archaeologist). The only personal item owned by Carter still on site is a foundation brick gifted to him by Lord Carnarvon to commemorate the foundation of the home. 

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Above and below: Views of two of the rooms in the restored Carter House.

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A Replicated Tomb and the Wonders of Digital Restoration

Steps away from the Carter house and on the same property was another re-opening: an exact and completed replica of King Tutankhamun’s tomb, created to ease the damaging effects of thousands of humans breathing moisture into the original tomb and endangering its delicate murals. Factum Arte in conjunction with the Theban Necropolis Preservation Initiative (TNPI) recreated the famous tomb by capturing an unbelievable 100 million measured points per square meter, 2.54 pixels/inch using a close-range, non-contact laser recording system called the Lucida 3D scanner, requiring 6 hours recording time per square meter. The technology was created in-house by artist-engineer Manuel Franquelo with a team of conservators and engineers. (The National Gallery in London recently acquired Factum Arte’s Lucida 3D scanner to record and digitize their collections). 

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Exterior view of the replicated tomb of Tutankhamun.

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Interior view of the replicated tomb of Tutankhamun.

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The only thing missing in this replica tomb is the mummy of the boy king. One item not in the original tomb but included in the replica tomb is a recreation of the painted plaster wall painting that was created by the ancient artists to hide the burial chamber on the other side from tomb robbers. The scene shows the goddess Isis greeting Tutankhamun with her hands down, palms up in a welcoming nini gesture conveyed by two hieroglyphs held in her hands. Three underworld deities are shown seated behind the goddess. The original fragments of this sacred scene were unfortunately lost to time after Howard Carter broke through the wall to access the burial chamber. The pieces were reconstructed utilizing Harry Burton’s original photographs from 1922 and Factum’s cutting-edge 3D photo technology. 

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The recreated wall painting lost by Carter.

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Director and visionary Egyptologist Aliaa Ismail explains, beaming with pride “The level of details this technology can record far surpasses anything the naked eye can capture.” For example, when Factum worked on scanning the alabaster sarcophagus of Seti I housed at Sir John Soane’s museum in London through their high-resolution scans, technicians were able to bring to light the complex carved sarcophagus hieroglyphs, otherwise invisible today due to thousands of years that have damaged the original paint. They were also able to piece together the remaining fragments of the sarcophagus lid to eventually create a 3D replica of the complete sarcophagus. 

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Virtual reality experiences will become common as an aid to helping the public understand our ancient heritage.

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Digital restoration is fast becoming a vital tool for restorers and is changing the way academia functions. In their recently completed Seti I project, Florence Baberio and the team from Basel University pieced together many fragments using this new technology. They recorded fragments from the Boston Museum of Fine Arts, the Louvre in Paris, the Ägyptisches Museum und Papyrussammlung in Berlin, the British Museum, Sir John Soane’s Museum in London, the Griffith Institute in Oxford, the Archaeological Museums in Bologna and Florence and in a private collection. All these recorded fragments will be reconstructed virtually and archived into Factum Foundation’s final facsimile, resulting in a copy which will be more complete than the original tomb as it stands today. 

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The tomb of Seti I. Carole Raddato, Creative Commons Attribution-Share Alike 2.0 Generic, Wikimedia Commons

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Ismail explains that the data recorded for the Seti I tomb allowed them to complete another exact replica of the Hall of Beauties from inside Seti’s tomb and they are currently negotiating with the Grand Egyptian Museum (GEM) to have it included as a permanent addition to the museum’s collection, providing a more immersive experience for visitors. Factum Arte’s next project is to fully document Queen Nefertari’s tomb and to eventually train many teams, preferably Egyptians, so they can scan all the remaining tombs in the Theban Necropolis, numbering over 1,500.

The readily available photographic data will also allow for researchers to easily reunite artifacts or plaster fragments from different museums or private collections across the world, enabling researchers to finally fill in the blanks. In essence, it is a new tool to add to the arsenal that archaeologists can use to recreate the past and make exciting new discoveries. 

One example of a potential discovery utilizing this non-invasive technology occurred in 2009. Britisha rchaeologist Nicholas Reeves reviewed high resolution scans of the burial chamber walls and noticed in the relief renderings presented in separate layers that there were slight variations in that wall. This information was crucial for Reeves to formulate the theory he presented recently at the ARCE Centennial Event in Luxor. Through studying this forensic data and differences behind painted cartouches on the burial chamber’s walls, he theorizes that Nefertiti’s tomb may be hidden behind that wall in the same way Tutankhamun’s burial chamber was hidden behind a decorated false wall.The potential for finding another intact tomb on par with Tutankhamun’s is a possibility that has captured the imagination of millions around the globe.

If the people cannot be brought to these works of ancient art, then Factum intends to bring these monuments to the people and at the same time preserve them in perpetuity because, at any moment a natural disaster such as an earthquake or flood can destroy these ever-important monuments to humanity in an instant. A recent article from the New York Times highlights work done to combat the effects of climate change already damaging sites across Egypt. 

Factum Arte is a pioneer in marrying VR technology with archaeology to protect sites like King Tutankhamun’s tomb, to promote archaeology to children in schools, and inspire us all to look more closely at these ancient sites left behind by our ancestors. They are close to launching the VR experience of King Tutankhamun’s tomb. The potential for education and generating interest is limitless.

A report on Factum’s work completed thus far in the Tomb of Seti I in conjunction with the University of Basel and Egypt’s Ministry of Tourism & Antiquities is here. You can also visit the reconstructed tomb (sarcophagus included) of Seti I at the Valley of the Kings virtually here. 

Another pioneering company using VR technology to inspire future generations in the field of archaeology is Positron, an American company. They recently created a mind-blowing 4D, virtual reality experience for the Ramses the Great exhibit, currently on nationwide tour and available to experience at San Francisco’s de Young Museum. 

Any lover of our ancient past has dreamt of teleporting in a time machine to see how it all really looked and felt. Positron is like that time machine, enabling us to see and feel what it was like and will only be more immersive as the technology improves over time. 

It isn’t hard to imagine museums around the world incorporating these new technologies to inspire generations of archaeologists and enthusiasts of our ancient past well into the future.

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Don’t miss out on this unforgettable evening as Dr. Hawass reveals the most closely guarded secrets of ancient Egypt and presents his groundbreaking new discoveries and latest research live on stage. As the man behind all major discoveries in Egypt over the last few decades and director of several ongoing archaeological projects, Dr. Hawass may yet surprise you with unexpected revelations that will make news across the world.

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Discoveries: An Interview with Dr. Zahi Hawass

Dr. Zahi Hawass is known the world over as Egypt’s ‘celebrity’ archaeologist, and for good reason. Few archaeologists in the world can equal him in terms of major archaeological discoveries. Here, writer Richard Marranca was afforded a rare opportunity to ask a few questions about Hawass’s latest published popular works and discoveries………..

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RM (Richard Marranca): You and your team studied King Tutankhamun’s mummy with a CT scan. Can you tell us about what you learned? What are some mysteries you wish were solved?  

ZH (Zahi Hawass): We know Tutankhamun was not murdered. The hole in his skull was made by the embalmers for removing his brain tissue. Other damage to the mummy was done by Carter in an effort to remove the golden mask and other treasures. We did find out, however, that Tutankhamun had a flat foot. The blood would not reach his toes and he had to walk with a cane. He also had an injury to his leg two days before he died. It seems then that he died in some kind of accident. We are studying the mummy to see if there was any infection around the leg injury which might have killed him.

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Howard Carter, with magnifying glass, leaning over mummy of King Tutankhamen as the first incision was made in the mummy wrappings. Note: the Library of Congress dates this photo to February 1926, but according to Carter’s journals, he exposed the mummy on 28 October 1925. Public Domain, Wikimedia Commons

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RM: In an anthology, Discovery: Unearthing the New Treasures of Archaeology, you mentioned that finding the cemetery at Giza proves that the “pyramid builders were free Egyptians and not slaves.” Also, you mentioned that there were just “10,000 workmen at any one time.” Can you tell us about this?

ZH: The discovery proved that these workers had Egyptian names and were workers, not slaves. They were not foreigners forced to work. If they had been slaves, they would never have been buried at Giza. They were given tombs for eternity like the kings and queens whose pyramids they helped build. The lower cemetery was for the workers who moved the stones while the upper cemetery was for the technicians and more skilled workers. Important families in the country would send workmen to work on the pyramids. To the east of the cemetery, we also found a bakery and an area for making fish. These workers were well fed with areas for sleeping. There were villages for the timber workmen and for the artisans. This was a large project with many people working on it. [More about this: https://www.guardians.net/hawass/buildtomb.htm]

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Detail: Tombs of the builders. Ahmed Yousry Mahfouz, Creative Commons Attribution-Share Alike 4.0 International, Wikimedia Commons

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Map of the Giza pyramid complex, including the buyilders’ cemeteries (30 and 31), and the builders’ quarters (21).MesserWoland, GNU Free Documentation License. Wikimedia Commons

 

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RM: In the second essay in Discovery, you mentioned a few tantalizing mysteries about the Great Pyramid at Giza. Can you tell us about that and also the use of robots to explore nooks and crannies? Also, you mentioned Tutankhamun’s mother’s tomb in the Valley of the kings. Is it hers?  

ZH: We were looking at small tunnels high inside the pyramid. We hired a robot from Germany to explore these tunnels. It went into a tunnel and at 60 m it was stopped by a door with two copper handles. We then did a live show with Nat Geo where we put a hole in the door to see what was behind it and found a second door. We are still working to find what is going on in unexplored areas of the pyramid. We have different teams using multiple different technologies to look for voids and possible unknown chambers. 

As to the mother of Tutankhamun, we found through DNA analysis that she is the younger female mummy from KV35, however we still do not know her name. We know that she was a daughter of Amenhotep III and Queen Tiye, meaning that Akhenaten married his own sister. Her mummy was moved to the cache in KV35 at a later date, so we are still looking for her tomb. 

RM: Can you explain the aspects of a mortuary temple and tomb that are especially important for the deceased to reach the afterlife – to be reanimated forever? 

ZH: The mortuary temple maintains the cult of the king as a god. This is where offerings to the cult would be given, which renews the cult of the king. Without the temple, there would not be regular offerings. Originally, these temples were directly connected to the pyramid of the king. When kings began to be buried in the Valley of the Kings rather than in pyramids, the temples were located on the West Bank of Luxor near the Valley, although usually not directly connected. 

The tomb is the king’s eternal house. This is where everything was placed for him that he needed to bring to the afterlife, including copies of the spells which he will need to successfully journey to that afterlife. 

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Hatshepsut’s mortuary temple, among the most famous mortuary temples of ancient Egypt. Onceinawhile, Creative Commons Attribution-Share Alike 4.0 International, Wikimedia Commons

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RM: You write, “Although death was not seen as an end, it was considered a dangerous journey fraught with threatening forces.” Did most people believe they would surmount the obstacles and be reanimated?  

ZH: Yes. We can see through temples and tombs that everyone believed in the afterlife – kings, queens, nobles, and common people. They did, however, like to have some extra insurance that they would get there. This is why they built tombs with everything they would need and used spells such as the Book of the Dead to guide their way. 

RM: Your book, Valley of the Golden Mummies,” is about the great discoveries at Bahariya Oasis. You show “a wide range of monuments, tombs, and temples dating from as early as the Eighteenth Dynasty through the Greco-Roman and Coptic Periods.” Can you tell us about this?

ZH: This was a very important discovery. We found over 200 mummies with gold, including two mummies of children beautifully mummified. These mummies were all put in a nearby museum. We also found many artifacts such as stelae, necklaces, and especially cups for wine. The reason these burials were so rich is that the people in Bahariya made and sold wine. They clearly did good business judging by the items in their tombs. We did not excavate the entire area, however. We intentionally left tombs for future generations to excavate, perhaps with even better methods than we have today. 

RM: What are the types of mummies that were found?  What about “The Bride Mummy” that you wrote about? 

ZH: We found a mummy covered with gold. The cartonnage was prepared with religious scenes. She appeared to be a bride prepared for her husband…. Perhaps she died before the wedding? We can’t know for sure. We found so many mummies that there was a great variety. Not all of them had gold, including a mummy I nicknamed “Mr. X”. We x-rayed Mr. X and found that he had died at age 30. 

RM: What’s it like going into a tomb for the first time in thousands of years? 

ZH: It is always an adventure to go into a tomb. Recently, we found a shaft 20 m under the ground. We entered and found a sealed door. Inside was a sealed sarcophagus, 4300 years old. When we raised the lid, we found a mummy of a woman covered in gold. It is always a thrill to find something that has been buried under the sand for thousands of years. 

RM: Did you ever get tricked by a labyrinth or false door?

ZH: We aren’t really “tricked” but we have excavated tombs or shafts that turned out to be unfinished or unused, like the tunnel in the tomb of Seti I. That was a dead end likely because it was unfinished. The king died and they had to quickly make new plans. 

RM: In Tut: The Mystery of the Boy King, you mentioned the great experience of knowing Sheik Ali. Can you tell us about him and his famous family? 

ZH: Sheikh Ali’s family knew the Valley very well. The Abd el-Rassul family had a reputation for stealing antiquities. They found the cachette of royal mummies in the 1870s. Sheikh Ali was the last member of this family. He owned a hotel, Hotel Marsam, on the West Bank. I met him when he was 72 and I was 22. At that time, he told me about the secret tunnel in the tomb of Seti I, asking me to excavate it if I became a great archaeologist. I later excavated this tunnel and found that it led to a dead end, but at least we had solved the mystery. 

RM: Your description of the mystery and silence in the Valley of the Kings at night was beautiful. Can you share that with us? 

ZH: When I was young, the first time I went to the Valley of the Kings, I went at night. I climbed the mountain until I reached the peak so that I could look over the Valley. It was a beautiful experience and to this day one of the best experiences of my life. 

RM: What’s your latest project? 

ZH: Currently, I have several projects. We are excavating at Saqqara, finding Old Kingdom tombs near the pyramid of Teti and at Gisr el-Mudir. I am using DNA analysis to search for the mummies of Nefertiti and Ankhesenamun of the 18th dynasty, along with excavating in the Valley of the Kings looking for their tombs. I am also heading a project which is doing conservation on the tomb of Ramses II. Finally, I am still excavating the Golden City, which we found last year in Luxor. 

Cover Image, Top Left: Photo by Placidplace, Pixabay

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The Priestess of Chornancap

Freelance writer, researcher and photographer, Georges Fery (georgefery.com) addresses topics from history, culture, and beliefs to daily living of ancient and today’s indigenous societies of Mesoamerica and South America. His articles are published online at travelthruhistory.com, ancient-origins.net and popular-archaeology.com, and in the quarterly magazine Ancient American (ancientamerican.com). In the U.K. his articles are found in mexicolore.co.uk.

The author is a fellow of the Institute of Maya Studies instituteofmayastudies.org, Miami, FL and The Royal Geographical Society, London, U.K. (rgs.org). He is a member in good standing with the Maya Exploration Center, Austin, TX (mayaexploration.org) the Archaeological Institute of America, Boston, MA (archaeological.org), NFAA-Non Fiction Authors Association (nonfictionauthrosassociation.com) and the National Museum of the American Indian, Washington, DC. (americanindian.si.edu).

Excavations at a site in northern Peru have revealed information about a powerful ancient priestess and the community in which she lived and practiced . . .

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The Lore and Legends of Rome’s Ancient Bridges

Professor Frank J. Korn has retired from his teaching position on the Classical Studies faculty at Seton Hall University.  He is a Fulbright Scholar at the American Academy in Rome and the author of nine books on various aspects of the Eternal City.  He is listed in Marquis Who’s Who as “a notable classical educator and writer.”  Recipient of the Princeton Prize for Distinguished Teaching, he resides with his wife Camille in Scotch Plains, N.J.  The couple’s three sons –  Frank, Ronald, and John and their families live nearby.  His latest book    Below Rome, the Story of the Catacombs    which he co-authored with his wife, is available on Amazon or from the publisher, St. Johann Press, Haworth, N.J.

“The fate of bridges is to be lonely, because bridges are for crossing, not for staying.”

                       …Mehmet Murat Ildan, Turkish poet

 

At the foot of Rome’s Via Marmorata – so called for the shipments of marble that were unloaded at the docks there in ancient times – stands the Ponte Sublicio. This graceful, triple-arched bridge is a descendant and namesake of the first span ever built by the Romans over the turgid waters of the Tiber.

Livy writes that Ancus Martius, fourth king of Rome (641-616 B.C.), linked the Janiculum Hill to the city by means of a wooden bridge. This was done, Livy claims, to keep that lofty ridge on the opposite bank from falling into the hands of some future enemy:

“Ianiculum quoque adiectum, sed ne quando Ea arx hostium est.”

An already age-old belief that the raising of a bridge would constitute an act of impiety and insult to Father Tiber, the river god, caused the Romans to use only wooden beams for its fabric. The idea seems to have been that the deity might pardon a project that appeared to be temporary; but that a more sturdy one of brick and mortar would provoke him into raining down some dire consequences on Rome. Such a safe means of getting across his realm would rob him of a certain number of victims who would otherwise lose their lives in the effort.

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Originally built of wooden beams, the later version , known as Ponte Sublicio, as seen today. Zebra.71, Creative Commons Attribution-Share Alike 4.0 International, Wikimedia Commons

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The Volscian word for wooden beams, sublicae, gave Rome’s first bridge its name. As a further precaution, Ancus Martius entrusted the superintendence of the Sublician Bridge to a college of priests, bestowing on them the title of pontifices, bridge builders. Their leader was addressed as Pontifex Maximus, the chief bridge builder, or, as the title later came to imply, Rome’s highest ranking priest. The term was symbolic and metaphorical as well, for it was hoped that these clerics would be able to “bridge” the divide between man and divinity. (Julius Caesar once held the office of Pontifex Maximus. And from the earliest time, the Roman Catholic Church adapted the term as the official Latin title of the Bishop of Rome, i.e. the Pope.)

Numerous strange superstitions and rituals were early associated with the Pons Sublicius (Latin). Strangest of all was the annual procession of young veiled maidens led by the pontiffs and the Vestal Virgins on the Ides of May. This somber pageantry wound its way slowly along the narrow, dusty lanes that passed for Rome’s early streets and culminated in sacred ceremonies on the bridge.

Then, to the accompaniment of hymns and chants and prayers, thirty burly men would step forward, each bearing a clumsy straw effigy of himself. At a signal given by the Vestal mother superior, they would cast their likenesses into the rushing stream below – trusting that Father Tiber would be satisfied with these “straw sacrifices” as he once was with the thirty victims that in days gone by were annually hurled into the Tiber as human sacrifices.

Barely a century after the structure’s debut, Rome found itself in a struggle for its very survival against an imminent incursion from the north. Lars Porsena, an Etruscan tyrant, was fast approaching with many regiments of battle-honed warriors. After easily overwhelming the Roman garrison on the summit of the Janiculum, the Etruscans encamped there for the night. Panic gripped the people of Rome as they watched the campfires dancing against the ink-black sky.

The following morning, as his countrymen braced for the worst, a military officer, Horatius Cocles (one-eyed) so-named because he had lost an eye in previous combat, came up with a last-ditch plan: deny the enemy access to Rome by destroying the only bridge that led across the river.

Inviting two valiant fellow soldiers – Spurius Lartius and Titus Herminius – to join him in his soon-to-be heroic stand, Horatius dashed to the far end of the narrow bridge and prepared to hold off the entire Etruscan army, three men at a time, while the rest of the Roman soldiers frantically tore the wooden span down behind them.

As soon as Horatius saw that only a single beam remained that could afford passage, he ordered his two companions to run back across it to the safety of the far bank while he held off the Etruscans single handedly. When Spurius and Titus had made it to shore, the final beam was torn down, and the Romans began to call to Horatius to jump into the river and swim to shore – which he did under a storm of spears and arrows.He miraculously reached the left bank where he was hauled ashore by a tumultuous crowd of thankful Romans.

Until the very fall of the Western Roman Empire in A.D. 476, Horatius Cocles was looked upon as the paragon of Roman valor and patriotism. Every Roman schoolboy was expected to know by heart the details of the epic story of Horatius at the Bridge.

Following this legendary episode, a replacement bearing the same name was constructed at the same location. Livy records how the Tribunus Plebeius, Gaius Gracchus, fled for his life across the planks of the new Pons Sublicius when he learned that the Senate had ordered his assassination because of his ongoing efforts to force wealthy landowners to divide their lands among the plebeians. Gaius – whose older brother Tiberius Gracchus had been killed a decade earlier for pushing for the same land reforms – and his faithful aide, Filocratis, successfully fled across theTiber where they hoped to seek sanctuary in the Sacred Woods of the goddess Furrina (a site which since the Renaissance has been known as the Villa Sciarra). When, however, Gaius heard their pursuers running across the wooden planks of the bridge, he realized they would never make it. To control his own destiny Gaius let himself be slain by Filocratis, who then took his own life.

While there is little doubt that the Pons Sublicius was destroyed repeatedly by flood waters during Roman times, there are but two recorded instances: one in 23 B.C. and another during the principate of Antoninous Pius (A.D. 138-161). In writings from the late Middle Ages there are references to “pons fractus iuxta marboratam”, i.e. a collapsed bridge at Via Marmorata.

An early Renaissance replacement must have rested on piers of stone, for on July 23, 1484, according to a diary from that epoch, Pope Sixtus IV used the stones from these piers to make hundreds of huge travertine cannon balls for the Papal army.

*Ancus Martius’ bridge, of course, continued to be rebuilt each time that it was destroyed, either by soldiers, floods, or stonemasons. The current span, called Ponte Sublicio in Italian, was built in 1918. As a Tiber crossing, it is as vital to the City of Seven Hills today as its ancient forebears were, joining the teeming transpontine districts of Trastevere and Monteverde with the working-class neighborhoods of Testaccio and Ostiense.

The inhabitants of these zones in antiquity grew accustomed to the occasional pleasant clip clop of horse traffic traversing the boards of the Pons Sublicius. Contemporary residents have made their peace with the relentless buzzing of spiffy motor scooters, the frequent wheezing of asthmatic buses, the nerve-shattering honking of impatient Fiats.

Through it all, though, pedestrians strolling on the Ponte Sublicio who know their Roman history cannot help but reflect on the verses of Macauley written in the early 20th century:

“And wives still pray to Juno
For sons with hearts as bold
As his who kept the bridge so well In those gallant days of old.”

 

Several miles upstream from the Sublician, the Mulvian Bridge still carries the Via Flaminia over the Tiber and sends it on its way to northeastern Italy. Built by the consul Aemilius Scaurus a hundred years before the birth of Christ, the Pons Mulvius – as it was known by the ancient Romans – rests on six graceful sixty-foot high arches. Such great bridges of stone were to become a significant accomplishment of early Roman engineers.

It was on this very span where Pompey and his soldiers withstood an attempted assault on the city by the troops of Lepidus.

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The Mulvian Bridge (Ponte Mulvio in modern Italian; some call it Ponte Milvio) was also to serve as the stage for two later dramatic events: one that would breathe a few more years of life into the moribund Roman Republic, another that would forever transform the world.

In the late autumn of 63 B.C., Catiline and his revolutionaries aimed to overthrow the government. Cicero, one of the consuls of that year, was informed by a delegation of the Allobrogians, a Gallic tribe from the upper Rhone, that they had been invited to help in the revolution. The envoys who had come to Rome to protest to the Senate the tyranny of their Roman provincial governor, were encouraged to obtain the request in writing and to go along with a secret plan.

Cicero then summoned the praetors, Lucius Flaccus and Gaius Pomptinus, to set up a sting operation at the Mulvian Bridge. On the chilly night of December 2, each praetor with a squad of state police took up positions in the woods on either bank of the river.

The Allobrogians had meanwhile arranged a rendezvous on the bridge with a small group of Catiline’s henchmen, at which time they would receive documents ostensibly to take back to their people in Provincia Romana (the region of France now called Provence).

Since this was the normal route by which the envoys would have headed home, the conspirators suspected nothing.

At the moment these letters were handed over to the Allobrogians, the praetors and their escorts emerged from the shadows and arrested all the parties. The envoys, of course, were released with the gratitude of the authorities and a promise that their grievances would be addressed by the Senate at once. The hapless revolutionaries were taken to the Mamertine Prison and executed two days later.

In an address to the Senate, Cicero tells of the successful entrapment:

“Interim tertia fere vigilia exacta, cum iam pontem Mulvium magno comitatu legatos Allobrogum ingredi inciperent,unaque Volturcius, fit in eos impetus.”

(Meanwhile, the third watch was just about over. When the Allobrogian diplomats reached the Mulvian Bridge with a large entourage, along with Volturcius, an attack was carried out upon them.)

(Note: Volturcius led the Catiline committee at the meeting).

The incident broke open the Catilinarian conspiracy. The following month Catiline and his poorly equipped, ill-trained forces were crushed in a battle on the plains of Etruria (today’sTuscany).

Three and a half centuries later, Ponte Mulvio became the setting for another civil war. In A.D. 306 Maxentius Valerius, with the support of the dreaded Praetorian Guard, set himself up as emperor of the Roman world. After several years under the harsh rule of Maxentius, the people of Rome repeatedly implored the popular general Constantine for help.

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At the time stationed in Gaul, Constantine was at last persuaded by these pleas to set out with his legions for Rome. After vanquishing the forces of Maxentius in a battle near Torino and in another on the outskirts of Verona, Constantine descended on the imperial capital. Maxentius held his cavalry in reserve while his infantry engaged Constantine’s army sweeping down the Via Cassia.

By early fall, Constantine was encamped just over the Ponte Mulvio from the main part of the city. At noon on October 26, the day before the all-out war for control of Rome, he saw in the skies above the bridge a cross of light encircled by the words: “In hoc signo vinces.” In this sign thou shalt conquer!

The astounded general then ordered his troops to paint their shields with “the symbol of the Cross.” He replaced the Roman eagle atop his standard with the cross of Christ. (A silver medallion struck in 315 shows Constantine wearing the new symbol on his helmet.)

On the following morning, Maxentius foolishly left the safety of the city and its walls and crossed the Tiber to intercept the enemy. His troops, however, were quickly seized with panic and rushed back to the bridge whose railings gave way to the sudden crush of humanity, precipitating all who were on it into the dark, swirling waters below. One of these was Maxentius himself, who soon drowned from the weight of his own armor. Constantine marched his victorious soldiers over the badly damaged bridge and into the city where he was greeted with the thunderous adulation of a grateful populace.

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The Battle of Milvian Bridge. Painting by Giulio Romano, Public Domain, Wikimedia Commons

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Attributing his success to the God of the Chrtistians, Constantine soon after expressed his gratitude by issuing his historic Edict of Milan granting the flock of Christ freedom of worship. It is widely believed that Constantine and his entire family, including his mother Helena, were eventually swayed themselves from paganism to Christianity.

All of this we learn from the historian Eusebius, who praised the emperor in his work “On the Life of Constantine.” In an interview, Constantine had told the writer the details of his vision of the Cross and vouched for its truthfulness with a solemn oath.

In 317 the Roman Senate erected the still-standing Arch of Constantine just across the street from the Colosseum. Some of this monument’s bas-reliefs commemorate the momentous clash at the Pons Mulvius. Later that year Constantine placed nearby a statue of himself holding the Cross as a standard. Fragments of this colossus now adorn the courtyard of the Capitoline Museum.

Just a few yards from the venerable old bridge now stands the Church of the Holy Cross. This modest edifice was commissioned by Pope Pius X in 1912 to mark the sixteen hundredth anniversary of the event that changed Rome and the world forever.

Other touches of Christian imagery had earlier been added to the bridge itself. Baroque statues of the Savior and John the Baptist guard one end of the Ponte Mulvio, while effigies of the Virgin Mary and St.John Nepomycene watch over the other.

Pope Pius VII in 1815 had the French architect Valadier fashion the triumphal gate that is to be seen at the northern end.

Today all is serene at the historic Mulvian Bridge. About the only activity one notices is old men lined up along the balustrade with their fishing rods, hoping for a bite from the waters swishing through the six lovely brownstone arches below.

 

We come now to our next Tiber bridge which, thanks to the hordes of English-speaking tourists, enjoys the felicitous name of ”Bridge of the Angels.” This span too has a long pedigree and its share of lore.

First, some background. Here, at about mid-stream of the river’s course through the Eternal City, the Emperor Hadrian (Publius Aelius Hadrianus). A.D. 117-138, decided to erect on the right bank, a gargantuan mausoleum for himself, his family, their descendants, and successive rulers and their clans. This architectural wonder still looms over the scene, mostly intact. Following the completion of the tomb, around 136, Hadrian commissioned the architect Demetrianus to build a monumental access to the imperial mausoleum which he named the Pons Aelius. That name survived until the year 590.

At that time a plague was devastating Rome, wiping out half the population as it raged. One night, Pope Gregory the Great led a candlelight procession through the streets, invoking Heaven to grant relief. The multitude of participants with Gregory at the front were headed for St.Peter’s over in the Vatican. When he was about to cross the Pons Aerlius, the pontiff saw, atop the mausoleum, a vision of an angel putting his bloody sword back into its sheath. The next day the plague lifted. Rome and her people were spared. Pope Gregory interpreted the apparition as a sign that Heaven answered by sending Michael the Archangel to kill the pestilence. Gregory soon had a replica in marble placed at the spot of his vision. He then renamed the vast structure, Castel Sant Angelo, Castle of the Holy Angel. The bridge became known as Ponte Sant Angelo, and would from then on serve as the main span for conveying eager throngs of pilgrims over the Tiber to St.Peter’s.

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The Ponte Sant’Angelo. Martieda, Pixabay

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Even Dante, who was a pilgrim himself in the Holy Year of 1300, mentions this in his Divine Comedy (Inferno XVIII-31-33). Built on five exquisitely lovely arches, Ponte Sant Angelo remains proudly intact from antiquity.

In 1535 Pope Clement VII ordered two statues to be placed at the foot of the bridge, one of St.Peter (by Lorenzetto), the other of St.Paul (by Paolo Taccone).

Clement IX in the next century had Gian Lorenzo Bernini and his prized students adorn the bridge with ten statues of angels, each bearing a symbol of Christ’s Passion: one bearing nails, another the whip with which Christ was scourged, a third holding the Crown of Thorns, another the lance which pierced his side, and so on.

Perhaps the English-speaking visitors have it right after all. This is truly “The Bridge of the Angels..”

 

Downstream a distance brings us eventually to Isola Tiberina, the miniature island in the Tiber. Since the fifth century B.C., when Aesculapius the Greek god of medicine is said to have chosen this site for Rome’s first hospital, the island has been used for such a purpose. Today a fine medical facility takes up most of the isle and is under the administration of a religious order of brothers.

Where the temple to the medicine deity once stood there rises today the tenth century church of San Bartolomeo where the priests maintain that the body of the apostle Bartholomew lies beneath the main altar.

Two ancient bridges link the island to either side of the city. The Ponte Fabricio, 62 B.C., connects it to the left bank where one finds the old historic Jewish Quarter of Rome and its imposing Synagogue. Ponte Cestio, 46 B.C., links the boat-shaped Isola Tiberina to the right bank and the colorful Trastevere district.

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Isola Tiberina, aerial view. European Commission, Wikimedia Commons

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And lastly, and perhaps fittingly, we come to what is popularly called Ponte Rotto, Broken Bridge. The term “Archaeology” derives from two Greek words meaning “the study of old things.” But what such an enterprise usually turns out to be is more accurately: the study of “parts” of old things (e.g. the Colosseum, the Forum, the Baths of Caracalla, and so on). And this is what we now study: the remaining part of a once truly beautiful bridge, the Pons Aemilius Lepidus from A.D. 179. This relic you may behold from a fairly close vantage point, by standing on the modern, steel Ponte Palatino which runs along side it.

Battered by fierce floods throughout the ages, the Aemilian bridge was repeatedly restored to even finer beauty. But in 1598 Rome was pounded with relentless spring downpours. In the fury of the resultant raging river more than half the renowned span was swept away and was never again to be restored. But even today in its lonely mournful ruins, the fragmented Pons Aemilius Lepidus stands proudly testifying to the “Glory that was – and is – Rome.”

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Ancient Siberian genomes reveal genetic backflow from North America across the Bering Sea

CELL PRESS—The movement of people across the Bering Sea from North Asia to North America is a well-known phenomenon in early human history. Nevertheless, the genetic makeup of the  people who lived in North Asia during this time has remained mysterious due to a limited number of ancient genomes analyzed from this region. Now, researchers reporting* in Current Biology on January 12 describe genomes from ten individuals up to 7,500 years old that help to fill the gap and show geneflow from people moving in the opposite direction from North America to North Asia.

Their analysis reveals a previously undescribed group of early Holocene Siberian people that lived in the Neolithic Altai-Sayan region, near to where Russia, China, Mongolia, and Kazakhstan come together. The genetic data show they were descendants of both paleo-Siberian and Ancient North Eurasian (ANE) people.

“We describe a previously unknown hunter-gatherer population in the Altai as early as 7,500 years old, which is a mixture between two distinct groups that lived in Siberia during the last Ice Age,” says Cosimo Posth at the University of Tübingen, Germany, and senior author of the study. “The Altai hunter-gatherer group contributed to many contemporaneous and subsequent populations across North Asia, showing how great the mobility of those foraging communities was.”

Posth notes that the Altai region is known in the media as the location where a new archaic hominin group, the Denisovans, was discovered. But the region also has importance in human history as a crossroad for population movements between northern Siberia, Central Asia, and East Asia over millennia.

Posth and colleagues report that the unique gene pool they uncovered may represent an optimal source for the inferred ANE-related population that contributed to Bronze Age groups from North and Inner Asia, such as Lake Baikal hunter-gatherers, Okunevo-associated pastoralists, and Tarim Basin mummies. They uncovered Ancient Northeast Asian (ANA) ancestry as well—which had initially been described in Neolithic hunter-gatherers from the Russian Far East—in another Neolithic Altai-Sayan individual associated with distinct cultural features.

The findings reveal the spread of ANA ancestry about 1,500 kilometers farther to the west than previously observed. In the Russian Far East, they also identified 7,000-year-old individuals with Jomon-associated ancestry, indicating links with hunter-gatherer groups from the Japanese Archipelago.

The data also are consistent with multiple phases of gene flow from North America to northeastern Asia over the last 5,000 years, reaching the Kamchatka Peninsula and central Siberia. The researchers note that the findings highlight a largely interconnected population throughout North Asia from the early Holocene onwards.

“The finding that surprised me the most is from an individual dated to a similar period as the other Altai hunter-gatherers but with a completely different genetic profile, showing genetic affinities to populations located in the Russian Far East,” says Ke Wang at Fudan University, China, and lead author of the study. “Interestingly, the Nizhnetytkesken individual was found in a cave containing rich burial goods with a religious costume and objects interpreted as possible representation of shamanism.”

Wang says the finding implies that individuals with very different profiles and backgrounds were living in the same region around the same time.

“It is not clear if the Nizhnetytkesken individual came from far away or the population from which he derived was located close by,” she says. “However, his grave goods appear different than other local archeological contexts implying mobility of both culturally and genetically diverse individuals into the Altai region.”

The genetic data from the Altai show that North Asia harbored highly connected groups as early as 10,000 years ago, across long geographic distances. “This suggests that human migrations and admixtures were the norm and not the exception also for ancient hunter-gatherer societies,” Posth says.

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Skull Sergey V. Semenov

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Photo of grave. Nadezhda F. Stepanova

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Article Source: Cell Press news release

This work is supported by the Max Planck Society, Alon Fellowship, Russian Science Foundation, Russian Foundation for Basic Research, National Research Foundation of Korea (NRF), Ministry of Science and Higher Education of the Russian Federation, and Altai State University.

*Current Biology, Wang et al.: “Middle Holocene Siberian genomes reveal highly connected gene pools throughout North Asia” https://www.cell.com/current-biology/fulltext/S0960-9822(22)01892-9

Current Biology (@CurrentBiology), published by Cell Press, is a bimonthly journal that features papers across all areas of biology. Current Biology strives to foster communication across fields of biology, both by publishing important findings of general interest and through highly accessible front matter for non-specialists. Visit http://www.cell.com/current-biology. To receive Cell Press media alerts, contact press@cell.com.

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Caribbean breadfruit traced back to Capt. Bligh’s 1791-93 journey

NORTHWESTERN UNIVERSITY, EVANSTON, Ill. — In 1793, Capt. William Bligh docked the HMS Providence in Kingstown in St. Vincent and the Grenadines, a small island nation in the Caribbean Sea, with cargo filled with several hundred sapling breadfruit trees. His goal was singular: To introduce the long-lived trees with their carbohydrate-rich fruits to cheaply feed Britain’s slaves, who labored on the islands’ sugar plantations.

Now, 230 years later, a plant biology team led by Northwestern University, the Chicago Botanic Garden and the St. Vincent Botanical Gardens has, for the first time, traced five major lineages of Caribbean breadfruit back to that single introduction from Bligh’s voyage.

Not only have the original breadfruit tree cultivars (or varieties produced by selective breeding) survived for centuries, they also are thriving, the researchers found.

The study* will be published on Jan. 5, 2023 — the 230th anniversary of Bligh’s arrival in the Caribbean — in the journal Current Biology.

“Breadfruit is an underutilized crop, and it doesn’t get nearly as much attention as the major crops,” said Nyree Zerega, the study’s senior author. “However, interest in breadfruit is increasing globally, and we thought this would be a fascinating puzzle to solve.”

“Outside of Oceania, the Caribbean is one of the largest producers of breadfruit worldwide,” added Lauren Audi, the study’s first author. “And we really don’t know much about the genetic diversity of the fruit in the Caribbean. Because this is an important crop for food security — especially for island nations that are highly susceptible to climate change — we wanted to characterize the genetic diversity of breadfruit crops in order to conserve them. The first step for that is to characterize the diversity of what we already have.”

A breadfruit expert, Zerega is director of the Program in Plant Biology and Conservation, a partnership between Northwestern’s Weinberg College of Arts and Sciences and the Chicago Botanic Garden, and a conservation scientist with the Negaunee Institute for Plant Conservation Science and Action at the Chicago Botanic Garden. Audi was a graduate student in Zerega’s laboratory at the time of the research. Now, she is a lab manager at the Sackler Institute for Comparative Genomics at the American Museum of Natural History in New York City and a Ph.D. candidate at New York University.

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Breadfruit on the ‘Bounty’

Many people might be familiar with Capt. Bligh from “Mutiny on the Bounty,” a classic book series and film starring Clark Gable that fictionalized the arduous journey and mission’s ultimate failure. (The film was later remade twice — with Marlon Brando in 1962 and Anthony Hopkins in 1984.) 

Aboard a British Royal Navy vessel called the HMS Bounty, Capt. Bligh and his crew stopped in Tahiti, where they worked with locals to collect breadfruit. The goal was to introduce breadfruit as a cheap food for slave populations forced to work on British plantations in the Caribbean islands. But these plans were abruptly abandoned in April 1789 when the Bounty’s crew seized control of the ship, throwing Bligh and his 18 loyalists overboard.

Yet Bligh survived — and remained dedicated to the original goal of collecting and transporting breadfruit. Just two years later, he set sail again — this time on the HMS Providence with an accompanying vessel, the HMS Assistant. Although Bligh recorded names of eight types of breadfruit in his log for the Bounty, the Providence’s logs are curiously missing these crucial details.

“When you look at the logs from the Bounty, Bligh carefully documented what was collected,” Zerega said. “But on his second voyage, the time spent in Tahiti was shorter, and there weren’t any notes about the names of the breadfruit cultivars they actually collected. He did indicate that five kinds of seedless breadfruit were collected, but subsequent historical texts have suggested different numbers. Wanting to know this is partly curiosity, but it’s also useful because it links cross-cultural knowledge about the plants.”

Genetic challenges

The lack of historical records from the Providence is not the only reason why characterizing breadfruit genetic diversity in the Caribbean has been challenging. There are several genetic challenges. First, seedless breadfruit trees are triploid. In other words, they have three copies of chromosomes, instead of two (diploid), which is more common. There are not as many genetic tools designed to analyze triploids, compared to diploids. 

Triploid breadfruit trees also are unable to reproduce sexually and can only survive if humans clonally propagate them. This is done with many cultivated fruit trees — even those that can sexually reproduce — to ensure quality control.

“When you bite into a Honey Crisp apple, you expect a different taste and texture than a McIntosh,” Zerega explained. “Clonal propagation ensures that you get what you expect. When plants develop seeds through sexual reproduction, they give rise to variation in offspring — just like the variation among human siblings.”

Over thousands of years of clonal propagation, however, variation can still arise due to somatic mutations, which are mutations in the tree’s non-reproductive cells. Somatic mutations can occur spontaneously, due to stress or errors in DNA repair. In search of the best fruits, humans sometimes select the part of the plant where the somatic mutation occurred and propagate it. So, if the mutation gives rise to a desirable new leaf or fruit type, people can cut the branch where the mutation occurred, propagate it and essentially clone that new mutation to grow a tree with the desirable fruit again.

Whatever mutation gave rise to the change can be extremely tiny and difficult to pinpoint genetically. Detecting DNA differences across different clonal lines (that is, lineages that arose from different historical “mother” trees) is much easier than detecting differences due to mutations within the same clonal line. Nonetheless, all seedless breadfruit cultivars are quite similar, making it challenging to genetically characterize different cultivars.

Finally, both within and across island groups in the Pacific and the Caribbean, people use many different names for what sometimes appear to be the same cultivars. This adds to the confusion when characterizing diversity.

Connecting the pieces

To overcome these challenges, the researchers employed a variety of tools. They integrated local knowledge with historical documents and specimens, morphological data (observations about the fruits’ size, shape and texture) and targeted genome sequencing.

Partnering with the St. Vincent Botanical Gardens, the St. Vincent Ministry of Tourism and the St. Vincent National Parks, Rivers and Beaches Authority, members of the research team traveled throughout St. Vincent. They collected leaves and took measurements, such as leaf size, fruit size and shape. Then, they supplemented these samples with historical dried, pressed specimens stored in herbaria in museums and botanic gardens around the world — including a specimen collected in 1769 from the HMS Endeavor Voyage led by Captain James Cook.

Back in the lab at the Chicago Botanic Garden, the researchers analyzed more than 200 individual breadfruit specimens, focusing predominantly on seedless breadfruit from St. Vincent and Tahiti as well as samples from around the world. The process involved extracting and sequencing DNA from leaf samples. Among these samples, the researchers ultimately identified eight major global breadfruit lineages — five of which are found in the Caribbean and likely represent the original 1793 introduction by the HMS Providence.

“This is an exciting project,” said Diane Ragone, director emeritus of the Breadfruit Institute at the National Tropical Botanical Garden in Hawaii, study co-author and Zerega’s former adviser. “Through laboratory, herbarium and library research and fieldwork in Tahiti and the Caribbean and by studying breadfruit trees conserved at the National Tropical Botanical Garden in Hawaii, three generations of women scientists were able to provide answers to a centuries-old mystery: ‘Which varieties of breadfruit did Captain Bligh introduce into the Caribbean?’”

Based on previous work by Zerega and others, there are many more global breadfruit lineages when the great diversity of seeded cultivars from Oceania are included. The current study focused mostly on seedless breadfruit.

“We identified five genetic lineages in the Caribbean, which matches what we found in some historical texts,” Audi said. “It was exciting to tease apart this history and characterize breadfruit’s diversity in the Caribbean genomically for the first time.”

“Still, there may be more types of breadfruit in St. Vincent than our genetic methods could identify because they are so closely related,” Zerega said. “Even if we don’t find genetic differences among plants that people assign different names to, those names still have significance and value.”

Breadfruit’s importance

Although breadfruit began with a dark history in the Caribbean as slave food, the nutritious fruit eventually became an important part of island diet and culture. Despite having “fruit” in its name, breadfruit is starchy and seedless, playing a culinary role more like a potato. Closely related to jackfruit, the nutrient-rich food is high in fiber, vitamins and minerals. In its native Oceania where breadfruit was domesticated, people have been eating breadfruit for thousands of years — whether steamed, roasted, fried or fermented. Breadfruit also can be turned into flour, in order to lengthen its shelf life.

Once established, a single breadfruit tree can live for decades, producing a large number of fruits each year. And, because it’s a perennial crop, it also requires less energy input (water and fertilizer) than annual crops that must be replanted each year. Like other trees, it also sequesters carbon dioxide from the atmosphere.

“Food security and food sovereignty for the next millennium lies in the endless untapped possibility of breadfruit,” said Gordon J.P. Shallow, study co-author, who was curator of the St. Vincent Botanical Garden at the time of the research.

Earlier this year, Zerega and Northwestern climate scientists authored another study (published in PLOS Climate), which found that breadfruit is particularly resilient in the face of human-caused climate change. Although other staple crops struggle in hot conditions, the researchers predict that changing conditions will have less effect on breadfruit. That means it could play an important role in fighting climate-driven hunger.

The study, “Linking breadfruit cultivar names across the globe connects histories after 230 years of separation,” was supported by the Garden Club of America, Botanical Society of America, the Institute for Sustainability and Energy at Northwestern Resnick Social Impact Fund and the Northwestern University Alumnae Research Award.

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Breadfruit. Breadfruit tree in St. Vincent and the Grenadines. Nyree Zerega/Northwestern University/Chicago Botanic Garden

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Article Source: NORTHWESTERN UNIVERSITY news release

New study reveals meaning of Ice Age markings for first time and finds evidence of early ‘proto-writing’ dating back 20,000 years

Durham University—A new study claims to have conclusively decoded the meaning of markings seen in Ice Age drawings and found evidence of early writing dating back at least 14,000 years earlier than previously thought.

The study reveals that Ice Age hunter-gatherers were using markings combined with drawings of their animal prey to store and communicate sophisticated information about the behavior of those animals crucial to their survival, such as wild horses, deer, cattle, and mammoths, at least 20,000 years ago.

As the marks, found in over 600 Ice Age images on cave walls and portable objects across Europe, record information numerically and reference a calendar rather than recording speech, they cannot be called ‘writing’ in the sense of the pictographic and cuneiform systems of early writing that emerged in Sumer from 3,400 BC onwards.

Instead, the team refers to them as a proto-writing system, pre-dating other token-based systems that are thought to have emerged during the Near Eastern Neolithic by at least 10,000 years.

The study, published today [Thursday 5 January 2022] in the Cambridge Archaeological Journal, was led by independent researcher, Ben Bacon and involved a small team including two senior academics from Durham University, and one from University College London, both in the UK.

Until now archaeologists have known that these sequences of lines, dots, and other marks – found on cave walls and portable objects from the last Ice Age were storing some kind of information but did not know their specific meaning.

Mr Bacon was keen to decode these, and in particular the inclusion of a ‘Y’ sign – formed by adding a diverging line to another.

By using the birth cycles of equivalent animals today as a reference point, the team was able to work out that the number of marks associated with Ice Age animals were a record, by lunar month, of when they were mating.

Mr Bacon had hypothesized that the ‘Y’ sign stood for ‘giving birth’ and the work of the wider team including Professors Paul Pettitt (Professor of Palaeolithic Archaeology) and Robert Kentridge (Professor of Visual Psychology) at Durham University enabled this to be confirmed.

Their work demonstrated that these sequences record mating and birthing seasons and found a statistically significant correlation between the numbers of marks the position of the ‘Y’ sign and the months in which modern animals’ mate and birth respectively.

Speaking about the discovery, Ben Bacon said: “The meaning of the markings within these drawings has always intrigued me so I set about trying to decode them, using a similar approach that others took to understanding an early form of Greek text.

“Using information and imagery of cave art available via the British Library and on the internet, I amassed as much data as possible and began looking for repeating patterns.

“As the study progressed, I reached out to friends and senior university academics, whose expertise were critical to proving my theory.

“It was surreal to sit in the British Library and slowly work out what people 20,000 years ago were saying but the hours of hard work were certainly worth it!”

Professors Paul Pettitt and Robert Kentridge, both of Durham University, have worked together developing the field of visual palaeopsychology, the scientific investigation of the psychology that underpins the earliest development of human visual culture.

Speaking about the discovery, Professor Pettitt, of the Department of Archaeology, Durham University, said: “To say that when Ben contacted us about his discovery was exciting is an understatement. I am glad I took it seriously.

“This is a fascinating study that has brought together independent and professional researchers with expertise in archaeology and visual psychology, to decode information first recorded thousands of years ago.

“The results show that Ice Age hunter-gatherers were the first to use a systematic calendar and marks to record information about major ecological events within that calendar.

“In turn we’re able to show that these people – who left a legacy of spectacular art in the caves of Lascaux and Altamira – also left a record of early timekeeping that would eventually become commonplace among our species.”

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Robert Kentridge, Professor of the Psychology of Vision, Durham University, said: “The implications are that Ice Age hunter-gatherers didn’t simply live in their present, but recorded memories of the time when past events had occurred and used these to anticipate when similar events would occur in the future, an ability that memory researchers call mental time-travel.”

Also, part of the research team was Tony Freeth, Honorary Professor at University College London, who led research that enabled the function of the ancient Greek astronomical clock Antikithera mechanism to be deciphered.

Professor Freeth said; “I was stunned when Ben came to me with his underlying idea that the numbers of spots or lines on the animals represented the lunar month of key events in the animals’ life cycles.

“Lunar calendars are difficult because there are just under twelve and a half lunar months in a year, so they do not fit neatly into a year. As a result, our own modern calendar has all but lost any link to actual lunar months.

“In the Antikythera Mechanism, they used a sophisticated 19-year mathematical calendar to resolve the incompatibility of the year and the lunar month—impossible for Palaeolithic peoples. Their calendar had to be much simpler. It also had to be a ‘meteorological calendar’, tied to changes in temperature, not astronomical events such as the equinoxes.

“With these principles in mind, Ben and I slowly devised a calendar which helped to explain why the system that Ben had uncovered was so universal across wide geography and extraordinary time-scales.”

The team, which also included independent researchers Dr Azadeh Khatiri, a work-place and personal coach, ex-science journalist and scientist, and Clive James Palmer, a retired school teacher specializing in History, hope this is just the beginning of the story.

The team have demonstrated that despite the difficulties, researchers can crack the meaning of at least some of these symbols.  

Mr Bacon said: “That’s encouraged us to continue our work and to attempt to understand more of the symbols, and their cognitive bases.

“What we are hoping, and the initial work is promising, is that unlocking more parts of the proto-writing system will allow us to gain an understanding of what information our ancestors valued.”

“As we probe deeper into their world what we are discovering is that these ancient ancestors are a lot more like us than we had previously thought—these people, separated from us by many millennia, are suddenly a lot closer.”

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Lascaux cave wall painting. Prof Saxx, GNU Free Documentation License, Wikimedia Commons

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Altamira cave wall painting.José-Manuel Benito, Locutus Borg, Public Domain, Wikimedia Commons

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Article Source: Durham University news release

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Analysis identifies stemmed point tools 2,300 years older than others excavated at Paleoamerican settlement

AMERICAN ASSOCIATION FOR THE ADVANCEMENT OF SCIENCE (AAAS)—Radiocarbon dating indicates that 13 projectile point stone tools found at the Cooper’s Ferry site in present-day western Idaho are 2,300 years older than others previously unearthed at the site, expanding the time frame for tool use in this community. The work also refines the inhabitancy time frame for Paleoamericans in an archaeological settlement in the Columbia River basin. “This discovery significantly expands both the radiocarbon chronology of human occupation in the Americas and our knowledge of the technological traditions employed by its early inhabitants,” Loren Davis and colleagues write. Before the Clovis people – who are famed for using specialized stone tools with fluted points – there were other Paleoamericans who also used stemmed point technology. Past work by members of the same research group established the presence of one such community at Cooper’s Ferry that consistently inhabited the settlement beginning sometime between 16,560 and 15,280 B.P. Now, Davis et al.* has used radiocarbon dating on 13 stemmed points gathered from an excavation site called Area B within Cooper’s Ferry to glean new insights about this community, their tool use, and their possible origins. In addition to confirming the period during which Cooper’s Ferry was inhabited, an examination of artifacts from Area B also revealed novel stemmed point tools dated to be 2,300 years older than those found in an excavation site in the settlement known as Area A. The identification of older projectile point tools shows that these techniques were in use at Cooper’s Ferry before there was an ice-free corridor in the Americas. The absence of a land route through which this technology could have spread suggested to the authors that such knowledge may have come from across the Pacific. Hence, the team compared Cooper’s Ferry stemmed point technology with that found in paleo-communities in Japan. “These bifacial stemmed point technologies occur well before the appearance of different lithic and ceramic technologies associated with incipient Jomon occupations in Hokkaido,” the authors write, noting that the Jomon settlement emerged around 14,700 B.P.  “We hypothesize this shared similarity in pre-Jomon stemmed point technology may point to the general location along the northwest Pacific Rim from which some of the earliest peoples in the Americas may have originated between ~22,000-16,000 years ago.”

Drought encouraged Attila’s Huns to attack the Roman empire, tree rings suggest

UNIVERSITY OF CAMBRIDGE—Hungary has just experienced its driest summer since meteorological measurements began, devastating the country’s usually productive farmland. Archaeologists now suggest that similar conditions in the 5th century may have encouraged animal herders to become raiders, with devastating consequences for the Roman empire.

The study*, published today in the Journal of Roman Archaeology, argues that extreme drought spells from the 430s – 450s CE disrupted ways of life in the Danube frontier provinces of the eastern Roman empire, forcing Hunnic peoples to adopt new strategies to ‘buffer against severe economic challenges’.

[The research paper can be accessed here]

The authors, Associate Professor Susanne Hakenbeck from Cambridge’s Department of Archaeology and Professor Ulf Büntgen from the University’s Department of Geography, came to their conclusions after assessing a new tree ring-based hydroclimate reconstruction, as well as archaeological and historical evidence.

The Hunnic incursions into eastern and central Europe in the 4th and 5th centuries CE have long been viewed as the initial crisis that triggered the so-called ‘Great Migrations’ of ‘Barbarian Tribes’, leading to the fall of the Roman empire. But where the Huns came from and what their impact on the late Roman provinces actually was has been unclear.

New climate data reconstructed from tree rings by Prof Büntgen and colleagues provides information about yearly changes in climate over the last 2000 years. It shows that Hungary experienced episodes of unusually dry summers in the 4th and 5th centuries. Hakenbeck and Büntgen point out that climatic fluctuations, in particular drought spells from 420 to 450 CE, would have reduced crop yields and pasture for animals beyond the floodplains of the Danube and Tisza.

Büntgen said: “Tree ring data gives us an amazing opportunity to link climatic conditions to human activity on a year-by-year basis. We found that periods of drought recorded in biochemical signals in tree-rings coincided with an intensification of raiding activity in the region.”

Recent isotopic analysis of skeletons from the region, including by Dr Hakenbeck, suggests that Hunnic peoples responded to climate stress by migrating and by mixing agricultural and pastoral diets.

Hakenbeck said: “If resource scarcity became too extreme, settled populations may have been forced to move, diversify their subsistence practices and switch between farming and mobile animal herding. These could have been important insurance strategies during a climatic downturn.”

But the study also argues that some Hunnic peoples dramatically changed their social and political organization to become violent raiders.

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From herders to raiders

Hunnic attacks on the Roman frontier intensified after Attila came to power in the late 430s. The Huns increasingly demanded gold payments and eventually a strip of Roman territory along the Danube. In 451 CE, the Huns invaded Gaul and a year later they invaded northern Italy.

Traditionally, the Huns have been cast as violent barbarians driven by an “infinite thirst for gold”. But, as this study points out, the historical sources documenting these events were primarily written by elite Romans who had little direct experience of the peoples and events they described.

“Historical sources tell us that Roman and Hun diplomacy was extremely complex,” Dr Hakenbeck said. “Initially it involved mutually beneficial arrangements, resulting in Hun elites gaining access to vast amounts of gold. This system of collaboration broke down in the 440s, leading to regular raids of Roman lands and increasing demands for gold.”

The study argues that if current dating of events is correct, the most devastating Hunnic incursions of 447, 451 and 452 CE coincided with extremely dry summers in the Carpathian Basin.

Hakenbeck said: “Climate-induced economic disruption may have required Attila and others of high rank to extract gold from the Roman provinces to keep war bands and maintain inter-elite loyalties. Former horse-riding animal herders appear to have become raiders.”

Historical sources describe the Huns at this time as a highly stratified group with a military organization that was difficult to counter, even for the Roman armies.

The study suggests that one reason why the Huns attacked the provinces of Thrace and Illyricum in 422, 442, and 447 CE was to acquire food and livestock, rather than gold, but accepts that concrete evidence is needed to confirm this. The authors also suggest that Attila demanded a strip of land ‘five days’ journey wide’ along the Danube because this could have offered better grazing in a time of drought.

Hakenbeck said: “Climate alters what environments can provide and this can lead people to make decisions that affect their economy, and their social and political organization. Such decisions are not straightforwardly rational, nor are their consequences necessarily successful in the long term.”

“This example from history shows that people respond to climate stress in complex and unpredictable ways, and that short-term solutions can have negative consequences in the long term.”

By the 450s CE, just a few decades of their appearance in central Europe, the Huns had disappeared. Attila himself died in 453 CE.

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Huns went from herders to raiders before the raids on ancient Roman northern Italy. Pixabay

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Article Source: UNIVERSITY OF CAMBRIDGE news release

*S.E. Hakenbeck & U. Büntgen, ‘The role of drought during the Hunnic incursions into central-east Europe in the 4th and 5th centuries CE’, Journal of Roman Archaeology (2022). DOI: 10.1017/S1047759422000332 

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Early humans may have first walked upright in the trees

UNIVERSITY COLLEGE LONDON—Human bipedalism – walking upright on two legs – may have evolved in trees, and not on the ground as previously thought, according to a new study involving UCL researchers.

In the study, published today in the journal Science Advances, researchers from UCL, the University of Kent, and Duke University, USA, explored the behaviors of wild chimpanzees – our closest living relative – living in the Issa Valley of western Tanzania, within the region of the East African Rift Valley. Known as ‘savanna-mosaic’ – a mix of dry open land with few trees and patches of dense forest – the chimpanzees’ habitat is very similar to that of our earliest human ancestors and was chosen to enable the scientists to explore whether the openness of this type of landscape could have encouraged bipedalism in hominins.

The study is the first of its kind to explore if savanna-mosaic habitats would account for increased time spent on the ground by the Issa chimpanzees, and compares their behavior to other studies on their solely forest-dwelling cousins in other parts of Africa.

Overall, the study found that the Issa chimpanzees spent as much time in the trees as other chimpanzees living in dense forests, despite their more open habitat, and were not more terrestrial (land-based) as expected.

Furthermore, although the researchers expected the Issa chimpanzees to walk upright more in open savanna vegetation, where they cannot easily travel via the tree canopy, more than 85% of occurrences of bipedalism took place in the trees.

The authors say that their findings contradict widely accepted theories that suggest that it was an open, dry savanna environment that encouraged our prehistoric human relatives to walk upright – and instead suggests that they may have evolved to walk on two feet to move around the trees.

Study co-author Dr Alex Piel (UCL Anthropology) said: “We naturally assumed that because Issa has fewer trees than typical tropical forests, where most chimpanzees live, we would see individuals more often on the ground than in the trees. Moreover, because so many of the traditional drivers of bipedalism (such as carrying objects or seeing over tall grass, for example) are associated with being on the ground, we thought we’d naturally see more bipedalism here as well. However, this is not what we found.

“Our study suggests that the retreat of forests in the late Miocene-Pliocene era around five million years ago and the more open savanna habitats were in fact not a catalyst for the evolution of bipedalism. Instead, trees probably remained essential to its evolution – with the search for food-producing trees a likely driver of this trait.”

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To establish their findings, the researchers recorded more than 13,700 instantaneous observations of positional behavior from 13 chimpanzee adults (six females and seven males), including almost 2,850 observations of individual locomotor events (e.g., climbing, walking, hanging, etc.), over the course of the 15-month study. They then used the relationship between tree/land-based behavior and vegetation (forest vs woodland) to investigate patterns of association. Similarly, they noted each instance of bipedalism and whether it was associated with being on the ground or in the trees.

The authors note that walking on two feet is a defining feature of humans when compared to other great apes, who “knuckle walk”. Yet, despite their study, researchers say why humans alone amongst the apes first began to walk on two feet still remains a mystery.

Study co-author Dr Fiona Stewart (UCL Anthropology) said: “To date, the numerous hypotheses for the evolution of bipedalism share the idea that hominins (human ancestors) came down from the trees and walked upright on the ground, especially in more arid, open habitats that lacked tree cover. Our data do not support that at all.

“Unfortunately, the traditional idea of fewer trees equals more terrestriality (land dwelling) just isn’t borne out with the Issa data. What we need to focus on now is how and why these chimpanzees spend so much time in the trees – and that is what we’ll focus on next on our way to piecing together this complex evolutionary puzzle.”

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An adult male chimpanzee walks upright to navigate flexible branches in the open canopy, characteristic of the Issa Valley savanna-mosaic habitat.Despite their open and dry habitat, chimpanzees at Issa remained highly arboreal and did not walk on the ground more than chimpanzees living in tropical forest, findings which support upright walking evolving in the trees, not on the ground in our early ancestors Rhiana Drummond-Clarke

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Article Source: University College London news releas

Rare Half-Shekel Coin from the Great Revolt Found in Jerusalem’s Ophel Excavations

Tuesday, December 13—Recent excavations in the Ophel area south of the Temple Mount uncovered the remains of a monumental public building from the Second Temple period, which was destroyed in 70 CE.

In the destruction layer, dozens of Jewish coins were found from the period of the Great Revolt (66–70 CE), most of them of bronze. This assemblage also included a particularly rare and unusual find – a silver coin in a half-shekel denomination originating from 69/70 CE.

The dig was carried out by a team from the Hebrew University, led by Prof. Uzi Leibner of the Institute of Archaeology, in partnership with the Herbert W. Armstrong College in Edmond, Oklahoma, and with the support of the East Jerusalem Development Company, the Israel Antiquities Authority, and the Israel Nature and Parks Authority. The rare coin was cleaned at the conservation laboratory of the Institute of Archaeology and identified by Dr. Yoav Farhi, the team’s numismatic expert and curator of the Kadman Numismatic Pavilion at the Eretz Israel Museum in Tel Aviv.

“This is the third coin of this type found in excavations in Jerusalem, and one of the few ever found in archeological excavations,” said the researchers.

During the Great Revolt against Rome, the Jews in Jerusalem minted bronze and silver coins. Most of the silver coins featured a goblet on one side, with ancient Hebrew script above it noting the year of the Revolt. Depending on its denomination, the coins also included an inscription around the border noting either, “Israel Shekel,” “Half-Shekel,” or “Quarter-Shekel.” The other side of these coins showcased a branch with three pomegranates, surrounded by an inscription in ancient Hebrew script, “Holy Jerusalem.”

Throughout the Roman era the authority to produce silver coins was reserved solely for the emperor. During the Revolt, the minting of coins, especially those made of silver, was a political statement and an expression of national liberation from Roman rule by the Jewish rebels. Indeed, throughout the Roman period leading up to the Great Revolt, no silver coins were minted by Jews, not even during the rule of King Herod the Great.

According to the researchers, half-shekel coins (which had an average weight of 7 grams) were also used to pay the “half-shekel” tax to the Temple, contributed annually by every Jewish adult male to help cover the costs of worship.

Dr. Farhi explained, “Until the revolt, it was customary to pay the half-shekel tax using good-quality silver coins minted in Tyre in Lebanon, known as ‘Tyrean shekels’ or ‘Tyrean half-shekels.’ These coins held the image of Herakles-Melqart, the principal deity of Tyre, and on the reverse they featured an eagle surrounded by a Greek inscription, ‘Tyre the holy and city of refuge.’ Thus, the silver coins produced by the rebels were intended to also serve as a replacement for the Tyrean coins, by using more appropriate inscriptions and replacing images (forbidden by the Second Commandment) with symbols. The silver coins from the Great Revolt were the first and the last in ancient times to bear the title ‘shekel.’ The next time this name was used was in 1980, on Israeli Shekel coins produced by the Bank of Israel.”

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Half-shekel coin from the third year of the Great Revolt (Photo: Tal Rogovski)

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Article Source: The Hebrew University of Jerusalem news release.

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Ancient stone tools from China provide earliest evidence of rice harvesting

DARTMOUTH COLLEGE—A new Dartmouth-led study analyzing stone tools from southern China provides the earliest evidence of rice harvesting, dating to as early as 10,000 years ago. The researchers identified two methods of harvesting rice, which helped initiate rice domestication. The results are published in PLOS ONE.

Wild rice is different from domesticated rice in that wild rice naturally sheds ripe seeds, shattering them to the ground when they mature, while cultivated rice seeds stay on the plants when they mature.

To harvest rice, some sort of tools would have been needed. In harvesting rice with tools, early rice cultivators were selecting the seeds that stay on the plants, so gradually the proportion of seeds that remain increased, resulting in domestication.

“For quite a long time, one of the puzzles has been that harvesting tools have not been found in southern China from the early Neolithic period or New Stone Age (10,000 – 7,000 Before Present) — the time period when we know rice began to be domesticated,” says lead author Jiajing Wang, an assistant professor of anthropology at Dartmouth. “However, when archaeologists were working at several early Neolithic sites in the Lower Yangtze River Valley, they found a lot of small pieces of stone, which had sharp edges that could have been used for harvesting plants.”

“Our hypothesis was that maybe some of those small stone pieces were rice harvesting tools, which is what our results show.”

In the Lower Yangtze River Valley, the two earliest Neolithic culture groups were the Shangshan and Kuahuqiao.

The researchers examined 52 flaked stone tools from the Shangshan and Hehuashan sites, the latter of which was occupied by Shangshan and Kuahuqiao cultures.

The stone flakes are rough in appearance and are not finely made but have sharp edges. On average, the flaked tools are small enough to be held by one hand and measured approximately 1.7 inches in width and length.

To determine if the stone flakes were used for harvesting rice, the team conducted use-wear and phytolith residue analyses.

For the use-wear analysis, micro-scratches on the tools’ surfaces were examined under a microscope to determine how the stones were used. The results showed that 30 flakes have use-wear patterns similar to those produced by harvesting siliceous (silica-rich) plants, likely including rice.

Fine striations, high polish, and rounded edges distinguished the tools that were used for cutting plants from those that were used for processing hard materials, cutting animal tissues, and scraping wood.

Through the phytolith residue analysis, the researchers analyzed the microscopic residue left on the stone flakes known as “phytoliths” or silica skeleton of plants. They found that 28 of the tools contained rice phytoliths.

“What’s interesting about rice phytoliths is that rice husk and leaves produce different kinds of phytolith, which enabled us to determine how the rice was harvested,” says Wang.

The findings from the use-wear and phytolith analyses illustrated that two types of rice harvesting methods were used — “finger-knife” and “sickle” techniques. Both methods are still used in Asia today.

The stone flakes from the early phase (10,000 – 8,200 BP) showed that rice was largely harvested using the finger-knife method in which the panicles at the top of the rice plant are reaped. The results showed that the tools used for finger-knife harvesting had striations that were mainly perpendicular or diagonal to the edge of the stone flake, which suggests a cutting or scraping motion, and contained phytoliths from seeds or rice husk phytoliths, indicating that the rice was harvested from the top of the plant.

“A rice plant contains numerous panicles that mature at different times, so the finger-knife harvesting technique is especially useful when rice domestication was in the early stage,” says Wang.

The stone flakes however, from the later phase (8,000 – 7,000 BP) had more evidence of sickle harvesting in which the lower part of the plant was harvested. These tools had striations that were predominantly parallel to the tool’s edge, reflecting that a slicing motion had likely been used.

“Sickle harvesting was more widely used when rice became more domesticated, and more ripe seeds stayed on the plant,” says Wang. “Since you are harvesting the entire plant at the same time, the rice leaves and stems could also be used for fuel, building materials, and other purposes, making this a much more effective harvesting method.”

Wang says, “Both harvesting methods would have reduced seed shattering. That’s why we think rice domestication was driven by human unconscious selection.”

Wang is available for comment at: Jiajing.Wang@dartmouth.edu. Jiangping Zhu at Pujiang Museum, Dongrong Lei at Longyou Museum, and Leping Jiang at Zhejiang Provincial Institute of Cultural Relics and Archaeology and the University of Science and Technology of China, also served as co-authors of the study.

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A selection of stone flake tools from the Shangshan ((a)-(h)) and Kuahuqiao ((i)–(l)) cultures. Red dots delineate working edge of tools. Image by Jiajing Wang.

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Phytolith recovered from stone flakes from Shanghsan and Hehuashan flakes: rice husk phytolith (on left) and rice leaf phytolith. Image by Jiajing Wang

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Article Source: DARTMOUTH COLLEGE news release.

Jawbone may represent earliest presence of humans in Europe

BINGHAMTON UNIVERSITY, BINGHAMTON, N.Y. – For over a century, one of the earliest human fossils ever discovered in Spain has been long considered a Neanderthal. However, new analysis from an international research team, including scientists at Binghamton University, State University of New York, dismantles this century-long interpretation, demonstrating that this fossil is not a Neanderthal; rather, it may actually represent the earliest presence of Homo sapiens ever documented in Europe.

In 1887, a fossil mandible was discovered during quarrying activities in the town of Banyoles, Spain, and has been studied by different researchers over the past century. The Banyoles fossil likely dates to between approximately 45,000-65,000 years ago, at a time when Europe was occupied by Neanderthals, and most researchers have generally linked it to this species.

“The mandible has been studied throughout the past century and was long considered to be a Neanderthal based on its age and location, and the fact that it lacks one of the diagnostic features of Homo sapiens: a chin,” said Binghamton University graduate student Brian Keeling. 

The new study* relied on virtual techniques, including CT scanning of the original fossil. This was used to virtually reconstruct missing parts of the fossil, and then to generate a 3D model to be analyzed on the computer. 

The authors studied the expressions of distinct features on the mandible from Banyoles that are different between our own species, Homo sapiens, and the Neanderthals, our closest evolutionary cousins.

The authors applied a methodology known as “three-dimensional geometric morphometrics” that analyzes the geometric properties of the bone’s shape. This makes it possible to directly compare the overall shape of Banyoles to Neanderthals and H. sapiens.

“Our results found something quite surprising — Banyoles shared no distinct Neanderthal traits and did not overlap with Neandertals in its overall shape,” said Keeling.

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While Banyoles seemed to fit better with Homo sapiens in both the expression of its individual features and its overall shape, many of these features are also shared with earlier human species, complicating an immediate assignment to Homo sapiens. In addition, Banyoles lacks a chin, one of the most characteristic features of Homo sapiens mandibles.

“We were confronted with results that were telling us Banyoles is not a Neanderthal, but the fact that it does not have a chin made us think twice about assigning it to Homo sapiens,” said Rolf Quam, professor of anthropology at Binghamton University, State University of New York. “The presence of a chin has long been considered a hallmark of our own species.”

Given this, reaching a scientific consensus on what species Banyoles represents is a challenge. The authors also compared Banyoles with an early Homo sapiens mandible from a site called Peştera cu Oase in Romania. Unlike Banyoles, this mandible shows a full chin along with some Neandertal features, and an ancient DNA analysis has revealed this individual had a Neandertal ancestor four to six generations ago. Since the Banyoles mandible shared no distinct features with Neanderthals, the researchers ruled out the possibility of mixture between Neanderthals and H. sapiens to explain its anatomy.

The authors point out that some of the earliest Homo sapiens fossils from Africa, predating Banyoles by more than 100,000 years, do show less pronounced chins than in living populations. 

Thus, these scientists developed two possibilities for what the Banyoles mandible may represent: a member of a previously unknown population of Homo sapiens that coexisted with the Neanderthals; or a hybrid between a member of this Homo sapiens group and a non-Neandertal unidentified human species. However, at the time of Banyoles, the only fossils recovered from Europe are Neanderthals, making this latter hypothesis less likely.

“If Banyoles is really a member of our species, this prehistoric human would represent the earliest H. sapiens ever documented in Europe,” said Keeling.

Whichever species this mandible belongs to, Banyoles is clearly not a Neanderthal at a time when Neanderthals were believed to be the sole occupants of Europe. 

The authors conclude that “the present situation makes Banyoles a prime candidate for ancient DNA or proteomic analyses, which may shed additional light on its taxonomic affinities.” 

The authors plan to make the CT scan and the 3D model of Banyoles available for other researchers to freely access and include in future comparative studies, promoting open access to fossil specimens and reproducibility of scientific studies.

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Map of the Iberian Peninsula indicating the location where the Banyoles mandible (yellow star) was found, along with Late Pleistocene Neanderthal (orange triangles) and Homo sapiens (white squares) sites. Brian Keeling

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Comparison of the Banyoles mandible (center), with H. sapiens (left), and a Neanderthal (right). Brian Keeling

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Reconstruction of the 3D model of the Banyoles mandible. Highlighted piece in blue indicates a mirrored element. Left: lateral view of the Banyoles mandible during the alignment process. Center: lateral view of the Banyoles mandible after joining the two pieces together. Right: superior view of the mandible after reconstruction. Brian Keeling

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Article Source: BINGHAMTON UNIVERSITY news release.

The paper, “Reassessment of the human mandible from Banyoles (Girona, Spain),” was published in the Journal of Human Evolution.

Findings from Bronze Age shipwreck reveal complex trade network

WASHINGTON UNIVERSITY IN ST. LOUIS—More than 3,000 years before the Titanic sunk in the North Atlantic Ocean, another famous ship wrecked in the Mediterranean Sea off the eastern shores of Uluburun — in present-day Turkey —  carrying tons of rare metal. Since its discovery in 1982, scientists have been studying the contents of the Uluburun shipwreck to gain a better understanding of the people and political organizations that dominated the time period known as the Late

Now, a team of scientists, including Michael Frachetti, professor of archaeology in Arts & Sciences at Washington University in St. Louis, have uncovered a surprising finding: small communities of highland pastoralists living in present-day Uzbekistan in Central Asia produced and supplied roughly one-third of the tin found aboard the ship — tin that was en route to markets around the Mediterranean to be made into coveted bronze metal.

The research, published on November 30 in Science Advances, was made possible by advances in geochemical analyses that enabled researchers to determine with high-level certainty that some of the tin originated from a prehistoric mine in Uzbekistan, more than 2,000 miles from Haifa, where the ill-fated ship loaded its cargo.

But how could that be? During this period, the mining regions of Central Asia were occupied by small communities of highlander pastoralists — far from a major industrial center or empire. And the terrain between the two locations — which passes through Iran and Mesopotamia — was rugged, which would have made it extremely difficult to pass tons of heavy metal.

Frachetti and other archaeologists and historians were enlisted to help put the puzzle pieces together. Their findings unveiled a shockingly complex supply chain that involved multiple steps to get the tin from the small mining community to the Mediterranean marketplace.

“It appears these local miners had access to vast international networks and — through overland trade and other forms of connectivity — were able to pass this all-important commodity all the way to the Mediterranean,” Frachetti said.

“It’s quite amazing to learn that a culturally diverse, multiregional and multivector system of trade underpinned Eurasian tin exchange during the Late Bronze Age.”

Adding to the mystique is the fact that the mining industry appears to have been run by small-scale local communities or free laborers who negotiated this marketplace outside of the control of kings, emperors or other political organizations, Frachetti said.

“To put it into perspective, this would be the trade equivalent of the entire United States sourcing its energy needs from small backyard oil rigs in central Kansas,” he said.

About the research

The idea of using tin isotopes to determine where metal in archaeological artifacts originates dates to the mid-1990s, according to Wayne Powell, professor of earth and environmental sciences at Brooklyn College and a lead author on the study. However, the technologies and methods for analysis were not precise enough to provide clear answers. Only in the last few years have scientists begun using tin isotopes to directly correlate mining sites to assemblages of metal artifacts, he said.

“Over the past couple of decades, scientists have collected information about the isotopic composition of tin ore deposits around the world, their ranges and overlaps, and the natural mechanisms by which isotopic compositions were imparted to cassiterite when it formed,” Powell said. “We remain in the early stages of such study. I expect that in future years, this ore deposit database will become quite robust, like that of Pb isotopes today, and the method will be used routinely.”

Aslihan K. Yener, a research affiliate at the Institute for the Study of the Ancient World at New York University and a professor emerita of archaeology at the University of Chicago, was one of the early researchers who conducted lead isotope analyses. In the 1990s, Yener was part of a research team that conducted the first lead isotope analysis of the Uluburun tin. That analysis suggested that the Uluburun tin may have come from two sources — the Kestel Mine in Turkey’s Taurus Mountains and some unspecified location in central Asia.

“But this was shrugged off since the analysis was measuring trace lead and not targeting the origin of the tin,” said Yener, who is a co-author of the present study.

Yener also was the first to discover tin in Turkey in the 1980s. At the time, she said the entire scholarly community was surprised that it existed there, right under their noses, where the earliest tin bronzes occurred.

Some 30 years later, researchers finally have a more definitive answer thanks to the advanced tin isotope analysis techniques: One-third of the tin aboard the Uluburun shipwreck was sourced from the Mušiston mine in Uzbekistan. The remaining two-thirds of the tin derived from the Kestel mine in ancient Anatolia, which is in present-day Turkey.

Findings offer glimpse into life 3,000 years ago

By 1500 B.C., bronze was the “high technology” of Eurasia, used for everything from weaponry to luxury items, tools and utensils. Bronze is primarily made from copper and tin. While copper is fairly common and can be found throughout Eurasia, tin is much rarer and only found in specific kinds of geological deposits, Frachetti said.

“Finding tin was a big problem for prehistoric states. And thus, the big question was how these major Bronze Age empires were fueling their vast demand for bronze given the lengths and pains to acquire tin as such a rare commodity. Researchers have tried to explain this for decades,” Frachetti said.

The Uluburun ship yielded the world’s largest Bronze Age collection of raw metals ever found — enough copper and tin to produce 11 metric tons of bronze of the highest quality. Had it not been lost to sea, that metal would have been enough to outfit a force of almost 5,000 Bronze Age soldiers with swords, “not to mention a lot of wine jugs,” Frachetti said.

“The current findings illustrate a sophisticated international trade operation that included regional operatives and socially diverse participants who produced and traded essential hard-earth commodities throughout the late Bronze Age political economy from Central Asia to the Mediterranean,” Frachetti said.

Unlike the mines in Uzbekistan, which were set within a network of small-scale villages and mobile pastoralists, the mines in ancient Anatolia during the Late Bronze Age were under the control of the Hittites, an imperial global power of great threat to Ramses the Great of Egypt, Yener explained.

The findings also show that life 2,000-plus years ago was not that different from what it is today.

“With the disruptions due to COVID-19 and the war in Ukraine, we have become aware of how we are reliant on complex supply chains to maintain our economy, military and standard of living,” Powell said. “This is true in prehistory as well. Kingdoms rose and fell, climatic conditions shifted and new peoples migrated across Eurasia, potentially disrupting or redistributing access to tin, which was essential for both weapons and agricultural tools.

“Using tin isotopes, we can look across each of these archaeologically evident disruptions in society and see connections were severed, maintained or redefined. We already have DNA analysis to show relational connections. Pottery, funerary practices, etc., illustrate the transmission and connectivity of ideas. Now with tin isotopes, we can document the connectivity of long-distance trade networks and their sustainability.”

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More clues to explore

The current research findings settle decades-old debates about the origins of the metal on the Uluburun shipwreck and Eurasian tin exchange during the Late Bronze Age. But there are still more clues to explore.

After they were mined, the metals were processed for shipping and ultimately melted into standardized shapes — known as ingots — for transporting. The distinct shapes of the ingots served as calling cards for traders to know from where they originated, Frachetti said.

Many of the ingots aboard the Uluburun ship were in the “oxhide” shape, which was previously believed to have originated in Cyprus. However, the current findings suggest the oxhide shape could have originated farther east. Frachetti said he and other researchers plan to continue studying the unique shapes of the ingots and how they were used in trade.

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Tin from the Mušiston mine in Central Asia’s Uzbekistan traveled more than 2,000 miles to Haifa, where the ill-fated ship loaded its cargo before crashing off the eastern shores of Uluburun in present-day Turkey. Map provided by Michael Frachetti/Washington University in St. Louis

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Above and below: Uluburun excavation. Cemal Pulak/Texas A&M University

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Article Source: WASHINGTON UNIVERSITY IN ST. LOUIS news release.

In addition to Frachetti, Powell and Yener, the following researchers contributed to the present study: Cemal Pulakat at Texas A&M University, H. Arthur Bankoff at Brooklyn College, Gojko Barjamovic at Harvard University, Michael Johnson at Stell Environmental Enterprises, Ryan Mathur at Juniata College, Vincent C. Pigott at the University of Pennsylvania Museum and Michael Price at the Santa Fe Institute.

The study was funded in part by a Professional Staff Congress-City University of New York Research Award, in addition to a research grant from the Institute for Aegean Prehistory.

Ancient Roman coins reveal long-lost emperor

UNIVERSITY COLLEGE LONDON—A gold coin long dismissed as a forgery appears to be authentic and depicts a long-lost Roman emperor named Sponsian, according to a new UCL-led study.

The coin, housed at The Hunterian collection at the University of Glasgow, was among a handful of coins of the same design unearthed in Transylvania, in present-day Romania, in 1713. They have been regarded as fakes since the mid-19th-century, due to their crude, strange design features and jumbled inscriptions.

In the new study*, published in PLOS ONE, researchers compared the Sponsion coin with other Roman coins kept at The Hunterian, including two that are known to be genuine.

They found minerals on the coin’s surface that were consistent with it being buried in soil over a long period of time, and then exposed to air. These minerals were cemented in place by silica – cementing that would naturally occur over a long time in soil. The team also found a pattern of wear and tear that suggested the coin had been in active circulation.

Lead author Professor Paul N. Pearson (UCL Earth Sciences) said: “Scientific analysis of these ultra-rare coins rescues the emperor Sponsian from obscurity. Our evidence suggests he ruled Roman Dacia, an isolated gold mining outpost, at a time when the empire was beset by civil wars and the borderlands were overrun by plundering invaders.”

The Roman province of Dacia, a territory overlapping with modern-day Romania, was a region prized for its gold mines. Archaeological studies have established that the area was cut off from the rest of the Roman empire in around 260 CE. Surrounded by enemies, Sponsian may have been a local army officer forced to assume supreme command during a period of chaos and civil war, protecting the military and civilian population of Dacia until order was restored, and the province evacuated between 271 and 275 CE.

Coinage has always been an important symbol of power and authority. Recognizing this and unable to receive official issues from the mint in Rome, Sponsian seems to have authorized the creation of locally produced coins, some featuring an image of his face, to support a functioning economy in his isolated frontier territory.

When the coins were discovered in the early 18th century, they were thought to be genuine and classed alongside other imitations of Roman coins made beyond the fringes of the empire. However, from the mid-19th century, attitudes changed. Coins from the hoard were dismissed as fakes because of the way they looked. This has been the accepted view until now.

The new study is the first time scientific analysis has been undertaken on any of the Sponsian coins. The research team used powerful microscopes in visible and ultraviolet light, as well as scanning electron microscopy and spectroscopy – studying how light at different wavelengths is absorbed or reflected – to study the coins’ surface.

Only four coins featuring Sponsian are known to have survived to the present day, all apparently originally from the 1713 hoard. Another is in Brukenthal National Museum in Sibiu, Romania. High magnification microscopic analysis performed there, following the research on the coin at The Hunterian, has revealed similar evidence of authenticity.

Curator of Numismatics at The Hunterian, Jesper Ericsson, said: “This has been a really exciting project for The Hunterian and we’re delighted that our findings have inspired collaborative research with museum colleagues in Romania. Not only do we hope that this encourages further debate about Sponsian as a historical figure, but also the investigation of coins relating to him held in other museums across Europe.”

The interim manager of the Brukenthal National Museum, Alexandru Constantin Chituță, said: “For the history of Transylvania and Romania in particular, but also for the history of Europe in general, if these results are accepted by the scientific community they will mean the addition of another important historical figure in our history.

“It is a wonderful thing for the Brukenthal National Museum, because the museum in Sibiu, Romania, is the holder of the only known coin belonging to Sponsian from the territory of Romania. I would like to express my gratitude to the colleagues from the Brukenthal Național Museum – History Museum Altemberger House and especially to the leader of the scientific team, Professor Paul N. Pearson from UCL, for their commitment, hard work and their impressive result.”

Four gold coins analyzed by researchers, including the Sponsian coin and other Roman coins previously dismissed as forgeries, are on display in The Hunterian at the University of Glasgow, while the Sponsian coin in the Brukenthal National Museum is also on public display.

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Sponsian gold coin, c.260-c.270 CE (obverse). The Hunterian, University of Glasgow.

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Article Source: UNIVERSITY COLLEGE LONDON news release.

1,700-year-old spider monkey remains discovered in Teotihuacán, Mexico

UNIVERSITY OF CALIFORNIA – RIVERSIDE, Calif. — The complete skeletal remains of a spider monkey — seen as an exotic curiosity in pre-Hispanic Mexico — grants researchers new evidence regarding social-political ties between two ancient powerhouses: Teotihuacán and Maya Indigenous rulers. 

The discovery was made by Nawa Sugiyama, a UC Riverside anthropological archaeologist, and a team of archaeologists and anthropologists who since 2015 have been excavating at Plaza of Columns Complex, in Teotihuacán, Mexico. The remains of other animals were also discovered, as well as thousands of Maya-style mural fragments and over 14,000 ceramic sherds from a grand feast. These pieces are more than 1,700 years old.

The spider monkey is the earliest evidence of primate captivity, translocation, and gift diplomacy between Teotihuacán and the Maya. Details of the discovery* will be published in the journal PNAS. This finding allows researchers to piece evidence of high diplomacy interactions and debunks previous beliefs that Maya presence in Teotihuacán was restricted to migrant communities, said Sugiyama, who led the research. 

“Teotihuacán attracted people from all over, it was a place where people came to exchange goods, property, and ideas. It was a place of innovation,” said Sugiyama, who is collaborating with other researchers, including Professor Saburo Sugiyama, co-director of the project and a professor at Arizona State University, and Courtney A. Hofman, a molecular anthropologist with the University of Oklahoma. “Finding the spider monkey has allowed us to discover reassigned connections between Teotihuacán and Maya leaders. The spider monkey brought to life this dynamic space, depicted in the mural art. It’s exciting to reconstruct this live history.”

Researchers applied a multimethod archaeometric (zooarchaeology, isotopes, ancient DNA, paleobotany, and radiocarbon dating) approach to detail the life of this female spider monkey. The animal was likely between 5 and 8 years old at the time of death.

Its skeletal remains were found alongside a golden eagle and several rattlesnakes, surrounded by unique artifacts, such as fine greenstone figurines made of jade from the Motagua Valley in Guatemala, copious shell/snail artifacts, and lavish obsidian goods such as blades and projectiles points. This is consistent with evidence of live sacrifice of symbolically potent animals participating in state rituals observed in Moon and Sun Pyramid dedicatory caches, researchers stated in the paper.

Results from the examination of two teeth, the upper and lower canines, indicate the spider monkey in Teotihuacán ate maize and chili peppers, among other food items. The bone chemistry, which offers insight to the diet and environmental information, indicates at least two years of captivity. Prior to arriving in Teotihuacán, it lived in a humid environment, eating primarily plants and roots.

The research is primarily funded by grants awarded to Sugiyama from the National Science Foundation and National Endowment for the Humanities. Teotihuacán is a pre-Hispanic city recognized as an UNESCO World Heritage site and receives more than three million visitors annually. 

In addition to studying ancient rituals and uncovering pieces of history, the finding allows for a reconstruction of greater narratives, of understanding how these powerful, advanced societies dealt with social and political stressors that very much reflect today’s world, Sugiyama said. 

“This helps us understand principles of diplomacy, to understand how urbanism developed … and how it failed,” Sugiyama said. “Teotihuacán was a successful system for over 500 years, understanding past resilience, its strengths and weaknesses are relevant in today’s society. There are many similarities then and now. Lessons can be seen and modeled from past societies; they provide us with cues as we go forward.” 

Article Source: University of California, Riverside news release.

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Complete skeletal remains of a 1,700 year-old female spider monkey found in Teotihuacán, Mexico. Nawa Sugiyama, UC Riverside.

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The University of California, Riverside is a doctoral research university, a living laboratory for groundbreaking exploration of issues critical to Inland Southern California, the state and communities around the world. Reflecting California’s diverse culture, UCR’s enrollment is more than 26,000 students. The campus opened a medical school in 2013 and has reached the heart of the Coachella Valley by way of the UCR Palm Desert Center. The campus has an annual impact of more than $2.7 billion on the U.S. economy. To learn more, visit www.ucr.edu.

Researchers discovered Egypt’s oldest tomb oriented to winter solstice

UNIVERSITY OF MALAGA—Researchers of the University of Malaga (UMA) and the University of Jaen (UJA) have discovered Egypt’s oldest tomb oriented to the winter solstice. Located in the necropolis of Qubbet el-Hawa (Aswan), it is precisely oriented to the sunrise of the winter solstice, in such a way that the sun’s rays bathed with its light the place that was intended to house the statue of a governor of the city of Elephantine, who lived at the end of the XII Dynasty, around 1830 b. C.

This way, the tomb perfectly registered the whole solar cycle, related to the idea of rebirth. While the winter solstice meant the beginning of the sunlight victory over darkness, the summer solstice generally coincided with the beginning of the annual flooding of the Nile, hence both events had an important symbolism linked to the resurrection of the deceased governor.

Perfection in the orientation

In this paper, recently published in the prestigious scientific journal Mediterranean Archaeology and Archaeometry, the researchers explain that, in order to achieve perfection in the orientation, the Egyptian architect simply used a two-cubit pole, around one meter long, a square and some robes, with which he was able to perfectly calculate the orientation of the funerary chapel and the location of the statue of the governor.

Moreover, they explain that the Egyptian architect not only achieved the perfect orientation, but also designed its volume with great precision, as determined in a previous paper published by the UJA in 2020 and signed by, among others, Professor Antonio Mozas –also author of this article–, which revealed that the volume of the tomb was perfectly calculated to avoid being coincident with any previous tomb.

The tomb of this governor, catalogued with No. 33, and possibly built by Governor Heqaib-ankh, was excavated by the UJA between 2008 and 2018. From that time on, it has been architecturally studied by different specialists, among them, the Professor of Architecture at the UMA Lola Joyanes, who has been participating in this project since 2015, working on her own line of research since 2019.

The work this researcher of the UMA has performed in the necropolis involves everything related to architecture and landscape, particularly, their study through drawing and photogrammetry.

A specific software to reproduce the position of the sun

The Andalusian scientists reached these conclusions thanks to the identification of the period where the tomb was built, which allowed them to use a specific software (Dialux Evo) that reproduces the position of the sun with respect to the horizon in ancient times.

“This study demonstrates that Egyptians were capable of calculating the position of the sun and the orientation of its rays to design their monuments. Although the tomb No. 33 of Qubbet el-Hawa is the oldest example ever found, certainly it is not the only one”, say the scientists.

This research has been financed by the Government of Andalusia within its projects “A way to immortality: beyond the preparation for death during Middle Kingdom at Qubbet el-Hawa (Aswan, Egypt)” of the University of Jaen and “Archaeology, Architecture and Landscape: typological evolution and state of conservation of tombs in the necropolis of Qubbet el-Hawa (Aswan, Egypt). Intervention criteria”.

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Located in the necropolis of Qubbet el-Hawa (Aswan), it is precisely oriented to the sunrise of the winter solstice, in such a way that the sun’s rays bathed with its light the place that was intended to house the statue of a governor of the city of Elephantine, who lived at the end of the XII Dynasty, around 1830 B. C. University of Jaen and Malaga

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Article Source: UNIVERSITY OF MALAGA news release.